{"id":3582,"date":"2022-05-05T12:08:55","date_gmt":"2022-05-05T10:08:55","guid":{"rendered":"https:\/\/intermezzo-promusic.com\/?post_type=dt_portfolio&#038;p=3582"},"modified":"2022-05-05T12:08:55","modified_gmt":"2022-05-05T10:08:55","slug":"extincion-teatro-abadia","status":"publish","type":"dt_portfolio","link":"https:\/\/intermezzo-promusic.com\/en\/criticas\/extincion-teatro-abadia\/","title":{"rendered":"Extinci\u00f3n. Teatro de la Abad\u00eda, 2022"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The lion&#8217;s share fell to the Coro Titular del Teatro Real in a particularly demanding trance. Being an operatic ensemble, with excellent solo singers, its members are not accustomed to so much staccato and the specific difficulties posed by Cererols&#8217; style. Distributed scenically according to the demands of the works, they showed extraordinary professionalism and knew how to harness the expressiveness and intensity of the two works. (&#8230;) the conductor Javier Ulises Ill\u00e1n succeeded in containing the emotions and at the same time channelling and enhancing such beautiful scores&#8221;.[\/vc_column_text]<div id=\"ultimate-heading-244469e82771126c1\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-244469e82771126c1 uvc-1916  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-244469e82771126c1 h5'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h5 style=\"--font-weight:theme;margin-bottom:5px;\">\u00d3pera Actual: Las misas de Cererols, de la conquista a la usurpaci\u00f3n<\/h5><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-dca90f51c3973e06836f9743167abb33.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-dca90f51c3973e06836f9743167abb33 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.operaactual.com\/critica\/las-misas-de-cererols-de-la-conquista-a-la-usurpacion\/\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInLeft animate-element animation-builder btn-inline-left \" target=\"_blank\" id=\"default-btn-dca90f51c3973e06836f9743167abb33\" title=\"El Pa\u00eds: \"Extinci\u00f3n\", m\u00fasicas de paz y pandemia\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Complete review<\/span><\/a>[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"ultimate-heading-608669e82771128b5\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-608669e82771128b5 uvc-427  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div 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Being an operatic ensemble, with excellent solo singers, its members are not&hellip;<\/p>\n","protected":false},"author":2,"featured_media":3585,"template":"","dt_portfolio_category":[41,47],"dt_portfolio_tags":[],"class_list":["post-3582","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-criticas-en","dt_portfolio_category-teatro-de-la-abadia-en","dt_portfolio_category-41","dt_portfolio_category-47","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Extinci\u00f3n. Teatro de la Abad\u00eda, 2022 - Intermezzo Promusic<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/extincion-teatro-abadia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Extinci\u00f3n. Teatro de la Abad\u00eda, 2022 - Intermezzo Promusic\" \/>\n<meta property=\"og:description\" content=\"[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The lion&#8217;s share fell to the Coro Titular del Teatro Real in a particularly demanding trance. 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