{"id":4630,"date":"2023-01-03T10:13:09","date_gmt":"2023-01-03T09:13:09","guid":{"rendered":"https:\/\/intermezzo-promusic.com\/?post_type=dt_portfolio&#038;p=4630"},"modified":"2023-01-03T10:13:09","modified_gmt":"2023-01-03T09:13:09","slug":"hamlet-oviedo-2022","status":"publish","type":"dt_portfolio","link":"https:\/\/intermezzo-promusic.com\/en\/criticas\/hamlet-oviedo-2022\/","title":{"rendered":"Hamlet. Oviedo,  2022"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Once again, the excellent work of the <strong>Intermezzo<\/strong> choir conducted by Pablo Moras in a work with a lot of weight and difficulties: strings tuned in all the wide registers, the empaste and power demanded by the orchestral mass, very well choreographed scenes, from the bacchic party to the palace or the last funeral procession, and the low voices like puppeteers&#8221;.[\/vc_column_text]<div id=\"ultimate-heading-455769e827737f28b\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-455769e827737f28b uvc-8714  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-455769e827737f28b h5'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h5 style=\"--font-weight:theme;margin-bottom:5px;\">Opera World: La Ofelia de Hamlet<\/h5><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-ee7de0c72c63f01060020dce3adf6ed8.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-ee7de0c72c63f01060020dce3adf6ed8 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.operaworld.es\/hamlet-de-thomas-entusiasma-al-publico-en-oviedo\/\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInLeft animate-element animation-builder btn-inline-left \" target=\"_blank\" id=\"default-btn-ee7de0c72c63f01060020dce3adf6ed8\" title=\"Opera World: La Ofelia de Hamlet\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Read review<\/span><\/a>[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"ultimate-heading-957569e827737f457\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-957569e827737f457 uvc-2464  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-957569e827737f457 h4'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h4 style=\"--font-weight:theme;margin-bottom:5px;\">More reviews<\/h4><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-1ca380d1f0fa4e2acbfae3857752e7af {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-1ca380d1f0fa4e2acbfae3857752e7af.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-1ca380d1f0fa4e2acbfae3857752e7af:after {\n  height: 2px;\n}\n#default-btn-1ca380d1f0fa4e2acbfae3857752e7af > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-1ca380d1f0fa4e2acbfae3857752e7af.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-1ca380d1f0fa4e2acbfae3857752e7af > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.operaactual.com\/critica\/la-intensidad-de-hamlet-impresiona-en-el-campoamor\/\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-1ca380d1f0fa4e2acbfae3857752e7af\" title=\"\u00d3pera Actual: La intensidad de 'Hamlet' impresiona en el Campoamor\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>\u00d3pera Actual: La intensidad de &#8216;Hamlet&#8217; impresiona en el Campoamor<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-81128587404f1d4bdfc282939ac077c3 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-81128587404f1d4bdfc282939ac077c3.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-81128587404f1d4bdfc282939ac077c3:after {\n  height: 2px;\n}\n#default-btn-81128587404f1d4bdfc282939ac077c3 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-81128587404f1d4bdfc282939ac077c3.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-81128587404f1d4bdfc282939ac077c3 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.elcomercio.es\/culturas\/enloquecidos-ofelia-campoamor-20221209001432-ntvo.html\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-81128587404f1d4bdfc282939ac077c3\" title=\"El Comercio: Enloquecidos por Ofelia en el Campoamor\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>El Comercio: Enloquecidos por Ofelia en el Campoamor<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-f3bd0034f9d8e94fb2c00dcede586016 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-f3bd0034f9d8e94fb2c00dcede586016.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-f3bd0034f9d8e94fb2c00dcede586016:after {\n  height: 2px;\n}\n#default-btn-f3bd0034f9d8e94fb2c00dcede586016 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-f3bd0034f9d8e94fb2c00dcede586016.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-f3bd0034f9d8e94fb2c00dcede586016 > i {\n  margin-right: 8px;\n}<\/style><a href=\"http:\/\/www.revistamusical.cat\/critica\/sara-blanch-brilla-a-oviedo-amb-lophelie-de-hamlet\/\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-f3bd0034f9d8e94fb2c00dcede586016\" title=\"Revista Musical Catalana: Sara Blanch brilla a Oviedo amb l\u2019Oph\u00e9lie de \u2019Hamlet\u2019\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Revista Musical Catalana: Sara Blanch brilla a Oviedo amb l\u2019Oph\u00e9lie de \u2019Hamlet\u2019<\/span><\/a>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Once again, the excellent work of the Intermezzo choir conducted by Pablo Moras in a work with a lot of weight and difficulties: strings tuned in all the&hellip;<\/p>\n","protected":false},"author":2,"featured_media":4632,"template":"","dt_portfolio_category":[41,44],"dt_portfolio_tags":[],"class_list":["post-4630","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-criticas-en","dt_portfolio_category-opera-de-oviedo-en","dt_portfolio_category-41","dt_portfolio_category-44","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hamlet. 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