{"id":6928,"date":"2025-02-05T12:40:56","date_gmt":"2025-02-05T11:40:56","guid":{"rendered":"https:\/\/intermezzo-promusic.com\/?post_type=dt_portfolio&#038;p=6928"},"modified":"2025-02-05T12:40:56","modified_gmt":"2025-02-05T11:40:56","slug":"le-nozze-di-figaro-oviedo-2025","status":"publish","type":"dt_portfolio","link":"https:\/\/intermezzo-promusic.com\/en\/criticas\/le-nozze-di-figaro-oviedo-2025\/","title":{"rendered":"Le nozze di Figaro. Oviedo,  2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<strong>Intermezzo Chorus<\/strong>, just as tempo-pressed but well-honed and well-paced, speaks with its hands as if Asturias were a natural extension of Triana, with ever-present interventions (\u2018Giovani liete, fiori spargete\u2019 from Act I plus the third with the girls in \u2018Ricevete, o padroncina\u2019).[\/vc_column_text]<div id=\"ultimate-heading-582469e80c6348df4\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-582469e80c6348df4 uvc-6219  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-582469e80c6348df4 h5'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h5 style=\"--font-weight:theme;margin-bottom:5px;\">Opera World<\/h5><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-fcd0bf42759d51b62581896064f6de98.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-fcd0bf42759d51b62581896064f6de98 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.operaworld.es\/critica-le-nozze-di-figaro-en-opera-de-oviedo\/\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInLeft animate-element animation-builder btn-inline-left \" target=\"_blank\" id=\"default-btn-fcd0bf42759d51b62581896064f6de98\" title=\"Opera World\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Complete review<\/span><\/a>[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"ultimate-heading-473869e80c6348fbb\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-473869e80c6348fbb uvc-5368  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-473869e80c6348fbb h4'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h4 style=\"--font-weight:theme;margin-bottom:5px;\">More reviews<\/h4><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-f862192abb0027d918f632ce507191a8 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-f862192abb0027d918f632ce507191a8.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-f862192abb0027d918f632ce507191a8:after {\n  height: 2px;\n}\n#default-btn-f862192abb0027d918f632ce507191a8 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-f862192abb0027d918f632ce507191a8.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-f862192abb0027d918f632ce507191a8 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.lne.es\/opinion\/2025\/01\/27\/sevilla-maravilla-113736301.html\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" id=\"default-btn-f862192abb0027d918f632ce507191a8\" title=\"La nueva Espa\u00f1a\"><i class=\"fas fa-link\"><\/i><span>La nueva Espa\u00f1a<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-2bb04822255982f953342bee32325f1d {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-2bb04822255982f953342bee32325f1d.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-2bb04822255982f953342bee32325f1d:after {\n  height: 2px;\n}\n#default-btn-2bb04822255982f953342bee32325f1d > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-2bb04822255982f953342bee32325f1d.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-2bb04822255982f953342bee32325f1d > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/scherzo.es\/oviedo-esplendor-y-sonoridad-en-unas-conmovedoras-bodas-de-figaro\/\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" id=\"default-btn-2bb04822255982f953342bee32325f1d\" title=\"Scherzo\"><i class=\"fas fa-link\"><\/i><span>Scherzo<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-4b16e69249c8dd51bbb00dd2dd1f2095 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-4b16e69249c8dd51bbb00dd2dd1f2095.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-4b16e69249c8dd51bbb00dd2dd1f2095:after {\n  height: 2px;\n}\n#default-btn-4b16e69249c8dd51bbb00dd2dd1f2095 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-4b16e69249c8dd51bbb00dd2dd1f2095.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-4b16e69249c8dd51bbb00dd2dd1f2095 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.operaactual.com\/critica\/un-final-feliz-para-la-temporada-ovetense\/\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-4b16e69249c8dd51bbb00dd2dd1f2095\" title=\"\u00d3pera Actual\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>\u00d3pera Actual<\/span><\/a>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Intermezzo Chorus, just as tempo-pressed but well-honed and well-paced, speaks with its hands as if Asturias were a natural extension of Triana, with ever-present interventions (\u2018Giovani liete, fiori&hellip;<\/p>\n","protected":false},"author":2,"featured_media":6932,"template":"","dt_portfolio_category":[41,44],"dt_portfolio_tags":[],"class_list":["post-6928","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-criticas-en","dt_portfolio_category-opera-de-oviedo-en","dt_portfolio_category-41","dt_portfolio_category-44","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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