{"id":7003,"date":"2025-02-28T12:54:10","date_gmt":"2025-02-28T11:54:10","guid":{"rendered":"https:\/\/intermezzo-promusic.com\/?post_type=dt_portfolio&#038;p=7003"},"modified":"2025-02-28T12:54:10","modified_gmt":"2025-02-28T11:54:10","slug":"eugeni-oneguin-madrid-2025","status":"publish","type":"dt_portfolio","link":"https:\/\/intermezzo-promusic.com\/en\/criticas\/eugeni-oneguin-madrid-2025\/","title":{"rendered":"Eugeni Oneguin. Madrid,  2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\u2018In an opera where the chorus has beautiful and lively interventions, the Coro Titular del Teatro Real has once again done an excellent job. Jos\u00e9 Luis Basso&#8217;s ensemble starts strongly in their first performance, which begins offstage, moulding their powerful voices to the almost mystical music. However, it is in the fourth scene that they make an intervention to remember. As connoisseurs of this work know, the first choral number begins with a beautiful, brief solo introduction by a tenor, presumed to be the foreman, answered by the peasants. Two tenors alternate in that small role, and tonight it was sung by Alexander Gonz\u00e1lez, a tenor with a beautifully lyrical voice\u2019.[\/vc_column_text]<div id=\"ultimate-heading-32669e8274d700bb\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-32669e8274d700bb uvc-7336  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-32669e8274d700bb h5'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h5 style=\"--font-weight:theme;margin-bottom:5px;\">Emociones L\u00edricas<\/h5><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-64a92ee76fdbdc8090b344393a6cc7ca.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-64a92ee76fdbdc8090b344393a6cc7ca > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/emocionesliricas.blogspot.com\/2025\/02\/un-hombre-sin-alma-eugenio-oneguin.html\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInLeft animate-element animation-builder btn-inline-left \" target=\"_blank\" id=\"default-btn-64a92ee76fdbdc8090b344393a6cc7ca\" title=\"Emociones L\u00edricas\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Complete review<\/span><\/a>[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"ultimate-heading-867569e8274d70272\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-867569e8274d70272 uvc-522  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-867569e8274d70272 h4'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h4 style=\"--font-weight:theme;margin-bottom:5px;\">More reviews<\/h4><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-e5f226135845d9f294ad1c28c1d69185 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-e5f226135845d9f294ad1c28c1d69185.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-e5f226135845d9f294ad1c28c1d69185:after {\n  height: 2px;\n}\n#default-btn-e5f226135845d9f294ad1c28c1d69185 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-e5f226135845d9f294ad1c28c1d69185.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-e5f226135845d9f294ad1c28c1d69185 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.beckmesser.com\/critica-eugenio-oneguin-teatro-real\/\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-e5f226135845d9f294ad1c28c1d69185\" title=\"Opera World\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Opera World<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-8e4fa83e1bc86a65a67e38bd11ac0158 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-8e4fa83e1bc86a65a67e38bd11ac0158.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-8e4fa83e1bc86a65a67e38bd11ac0158:after {\n  height: 2px;\n}\n#default-btn-8e4fa83e1bc86a65a67e38bd11ac0158 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-8e4fa83e1bc86a65a67e38bd11ac0158.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-8e4fa83e1bc86a65a67e38bd11ac0158 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.beckmesser.com\/critica-eugenio-oneguin-teatro-real\/\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" id=\"default-btn-8e4fa83e1bc86a65a67e38bd11ac0158\" title=\"Beckmesser\"><i class=\"fas fa-link\"><\/i><span>Beckmesser<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-dffbd9721254aa5342f86b1c3670a7a4 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-dffbd9721254aa5342f86b1c3670a7a4.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-dffbd9721254aa5342f86b1c3670a7a4:after {\n  height: 2px;\n}\n#default-btn-dffbd9721254aa5342f86b1c3670a7a4 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-dffbd9721254aa5342f86b1c3670a7a4.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-dffbd9721254aa5342f86b1c3670a7a4 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/elasombrario.publico.es\/eugene-onegin-la-soledad-como-unico-destino-de-un-malvado\/\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-dffbd9721254aa5342f86b1c3670a7a4\" title=\"El Asombario\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>El Asombrario<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-4f6293fc41c19ad90a48107934a26e2e {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-4f6293fc41c19ad90a48107934a26e2e.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-4f6293fc41c19ad90a48107934a26e2e:after {\n  height: 2px;\n}\n#default-btn-4f6293fc41c19ad90a48107934a26e2e > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-4f6293fc41c19ad90a48107934a26e2e.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-4f6293fc41c19ad90a48107934a26e2e > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.elespanol.com\/el-cultural\/escenarios\/opera\/20250123\/chaikovski-levantase-cabeza-feliz-eugene-oneguin\/918778125_12.html\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-4f6293fc41c19ad90a48107934a26e2e\" title=\"El Cultural\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>El Cultural<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-94a8eb38116176fdc399cdcefa90417b {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-94a8eb38116176fdc399cdcefa90417b.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-94a8eb38116176fdc399cdcefa90417b:after {\n  height: 2px;\n}\n#default-btn-94a8eb38116176fdc399cdcefa90417b > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-94a8eb38116176fdc399cdcefa90417b.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-94a8eb38116176fdc399cdcefa90417b > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/elpais.com\/cultura\/2025-01-23\/gustavo-gimeno-aporta-solidez-musical-al-controvertido-eugene-onegin-de-christof-loy.html#cedro\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-94a8eb38116176fdc399cdcefa90417b\" title=\"El Pa\u00eds\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>El Pa\u00eds<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-b3470ac0b7578cdd79bac1e2d2c7c4be {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-b3470ac0b7578cdd79bac1e2d2c7c4be.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-b3470ac0b7578cdd79bac1e2d2c7c4be:after {\n  height: 2px;\n}\n#default-btn-b3470ac0b7578cdd79bac1e2d2c7c4be > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-b3470ac0b7578cdd79bac1e2d2c7c4be.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-b3470ac0b7578cdd79bac1e2d2c7c4be > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/bachtrack.com\/fr_FR\/critica-madrid-teatro-real-oneguin-chaikovski-gimeno-loy-mkhitaryan-karkacheva-samoilov-enero-2025\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-b3470ac0b7578cdd79bac1e2d2c7c4be\" title=\"Bachtrack\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Bachtrack<\/span><\/a>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\u2018In an opera where the chorus has beautiful and lively interventions, the Coro Titular del Teatro Real has once again done an excellent job. Jos\u00e9 Luis Basso&#8217;s ensemble&hellip;<\/p>\n","protected":false},"author":2,"featured_media":7006,"template":"","dt_portfolio_category":[41,42],"dt_portfolio_tags":[],"class_list":["post-7003","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-criticas-en","dt_portfolio_category-teatro-real-en","dt_portfolio_category-41","dt_portfolio_category-42","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Eugeni Oneguin. Madrid, 2025 - Intermezzo Promusic<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/eugeni-oneguin-madrid-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Eugeni Oneguin. Madrid, 2025 - Intermezzo Promusic\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\u2018In an opera where the chorus has beautiful and lively interventions, the Coro Titular del Teatro Real has once again done an excellent job. 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