{"id":7037,"date":"2025-03-12T10:41:01","date_gmt":"2025-03-12T09:41:01","guid":{"rendered":"https:\/\/intermezzo-promusic.com\/?post_type=dt_portfolio&#038;p=7037"},"modified":"2025-03-12T10:41:01","modified_gmt":"2025-03-12T09:41:01","slug":"aida-malaga-2025","status":"publish","type":"dt_portfolio","link":"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-malaga-2025\/","title":{"rendered":"Aida. M\u00e1laga,  2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Noche de \u00f3pera tambi\u00e9n especial para el conjunto coral de Intermezzo al cuidado, en esta ocasi\u00f3n, del maestro Pablo Moras: la formaci\u00f3n dio sus primeros pasos en la Butterfly de noviembre pasado y con esta Aida qued\u00f3 m\u00e1s definida la altura art\u00edstica del conjunto. Las exigencias vocales y t\u00e9cnicas eran otras y en el caso de Aida son m\u00e1s que satisfactorias al encontrar cuerdas de tenores definidas, bien proyectadas y empastadas como ocurrir\u00eda tambi\u00e9n en las secciones de sopranos y contraltos. Especial atenci\u00f3n recibieron los coros internos, mientras que aquellos pasajes de brillo y especial m\u00fasculo quedar\u00edan art\u00edsticamente m\u00e1s que resueltos como la escena final del segundo acto.&#8221;[\/vc_column_text]<div id=\"ultimate-heading-76769e80cb301816\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-76769e80cb301816 uvc-5397  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-76769e80cb301816 h5'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h5 style=\"--font-weight:theme;margin-bottom:5px;\">\u00d3pera Actual<\/h5><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-c8aeecaa971ab5e27df43b0e5a0a982c.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-c8aeecaa971ab5e27df43b0e5a0a982c > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.operaactual.com\/critica\/la-aida-de-zeffirelli-se-impone-en-el-cervantes\/\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInLeft animate-element animation-builder btn-inline-left \" target=\"_blank\" id=\"default-btn-c8aeecaa971ab5e27df43b0e5a0a982c\" title=\"\u00d3pera Actual\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Complete review<\/span><\/a>[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"ultimate-heading-517869e80cb301999\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-517869e80cb301999 uvc-4124  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-517869e80cb301999 h4'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h4 style=\"--font-weight:theme;margin-bottom:5px;\">More reviews<\/h4><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-28ff38e806b9c5434dd2e54b5eace20f {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-28ff38e806b9c5434dd2e54b5eace20f.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-28ff38e806b9c5434dd2e54b5eace20f:after {\n  height: 2px;\n}\n#default-btn-28ff38e806b9c5434dd2e54b5eace20f > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-28ff38e806b9c5434dd2e54b5eace20f.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-28ff38e806b9c5434dd2e54b5eace20f > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.laopiniondemalaga.es\/opinion\/2025\/03\/08\/aida-ensueno-ignacio-leon-petrova-115080407.html\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-28ff38e806b9c5434dd2e54b5eace20f\" title=\"La opini\u00f3n de M\u00e1laga\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>La opini\u00f3n de M\u00e1laga<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-e7e5dc2239399917fa6bbaec8a9eac0f {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-e7e5dc2239399917fa6bbaec8a9eac0f.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-e7e5dc2239399917fa6bbaec8a9eac0f:after {\n  height: 2px;\n}\n#default-btn-e7e5dc2239399917fa6bbaec8a9eac0f > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-e7e5dc2239399917fa6bbaec8a9eac0f.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-e7e5dc2239399917fa6bbaec8a9eac0f > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.diariosur.es\/culturas\/aida-critica-teatro-cervantes-malaga-20250308125455-nt.html\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-e7e5dc2239399917fa6bbaec8a9eac0f\" title=\"Diario Sur\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Diario Sur<\/span><\/a>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Noche de \u00f3pera tambi\u00e9n especial para el conjunto coral de Intermezzo al cuidado, en esta ocasi\u00f3n, del maestro Pablo Moras: la formaci\u00f3n dio sus primeros pasos en la&hellip;<\/p>\n","protected":false},"author":2,"featured_media":7040,"template":"","dt_portfolio_category":[41,56],"dt_portfolio_tags":[],"class_list":["post-7037","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-criticas-en","dt_portfolio_category-teatro-cervantes-malaga-en","dt_portfolio_category-41","dt_portfolio_category-56","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Aida. 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