{"id":7667,"date":"2025-10-14T13:54:46","date_gmt":"2025-10-14T11:54:46","guid":{"rendered":"https:\/\/intermezzo-promusic.com\/?post_type=dt_portfolio&#038;p=7667"},"modified":"2025-10-14T13:54:46","modified_gmt":"2025-10-14T11:54:46","slug":"la-edad-de-plata-malaga-2025","status":"publish","type":"dt_portfolio","link":"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-edad-de-plata-malaga-2025\/","title":{"rendered":"La edad de plata. M\u00e1laga,  2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El Coro titular del Cervantes, al cuidado de Pablo Moras, fue uno de los puntos claves de la noche, presentando un trabajo elaborado, balanceado entre secciones, destacando especialmente las cuerdas de tenores y bajos especialmente empastadas; sobresali\u00f3 por su fuerza pl\u00e1stica el coro de apertura del primer cuadro.&#8221;[\/vc_column_text]<div id=\"ultimate-heading-274669e80c9d5208d\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-274669e80c9d5208d uvc-9529  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-274669e80c9d5208d h5'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h5 style=\"--font-weight:theme;margin-bottom:5px;\">\u00d3pera Actual<\/h5><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-c6be12167847acfeb31f850b26589d40.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-c6be12167847acfeb31f850b26589d40 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.operaactual.com\/critica\/dos-obras-maestras-de-la-edad-de-plata-espanola-despiden-la-temporada-del-cervantes\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInLeft animate-element animation-builder btn-inline-left \" target=\"_blank\" id=\"default-btn-c6be12167847acfeb31f850b26589d40\" title=\"\u00d3pera Actual\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Complete review<\/span><\/a>[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"ultimate-heading-660069e80c9d522bc\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-660069e80c9d522bc uvc-4597  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-660069e80c9d522bc h4'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h4 style=\"--font-weight:theme;margin-bottom:5px;\">More reviews<\/h4><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-11f6351b6ffaf4b37489f98caa21f2f8 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-11f6351b6ffaf4b37489f98caa21f2f8.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-11f6351b6ffaf4b37489f98caa21f2f8:after {\n  height: 2px;\n}\n#default-btn-11f6351b6ffaf4b37489f98caa21f2f8 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-11f6351b6ffaf4b37489f98caa21f2f8.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-11f6351b6ffaf4b37489f98caa21f2f8 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.codalario.com\/goyescas\/criticas\/critica-goyescas-y-el-retablo-de-maese-pedro-en-el-teatro-cervantes-de-malaga_14120_5_45287_0_1_in.html\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-11f6351b6ffaf4b37489f98caa21f2f8\" title=\"Codalario\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Codalario<\/span><\/a>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El Coro titular del Cervantes, al cuidado de Pablo Moras, fue uno de los puntos claves de la noche, presentando un trabajo elaborado, balanceado entre secciones, destacando&hellip;<\/p>\n","protected":false},"author":2,"featured_media":7669,"template":"","dt_portfolio_category":[41,56],"dt_portfolio_tags":[],"class_list":["post-7667","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-criticas-en","dt_portfolio_category-teatro-cervantes-malaga-en","dt_portfolio_category-41","dt_portfolio_category-56","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La edad de plata. 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