{"id":7702,"date":"2025-10-15T14:00:20","date_gmt":"2025-10-15T12:00:20","guid":{"rendered":"https:\/\/intermezzo-promusic.com\/?post_type=dt_portfolio&#038;p=7702"},"modified":"2025-10-15T14:00:20","modified_gmt":"2025-10-15T12:00:20","slug":"tristan-und-isolde-malaga-2025","status":"publish","type":"dt_portfolio","link":"https:\/\/intermezzo-promusic.com\/en\/criticas\/tristan-und-isolde-malaga-2025\/","title":{"rendered":"Tristan und Isolde. M\u00e1laga,  2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Aunque breve,\u00a0la intervenci\u00f3n del coro \u2014dirigido por el maestro\u00a0Santiago Otero\u2014\u00a0destac\u00f3 por su contenci\u00f3n y emisi\u00f3n compacta, contribuyendo decisivamente al primer acto del\u00a0Trist\u00e1n\u00a0wagneriano.[\/vc_column_text]<div id=\"ultimate-heading-71969e80c63610a6\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-71969e80c63610a6 uvc-4383  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-71969e80c63610a6 h5'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h5 style=\"--font-weight:theme;margin-bottom:5px;\">La opini\u00f3n de M\u00e1laga<\/h5><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-364cd3dcc8738c74bfb09a7436718d44.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-364cd3dcc8738c74bfb09a7436718d44 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.laopiniondemalaga.es\/cultura-espectaculos\/2025\/09\/27\/pedro-halffter-situa-malaga-centro-122017224.html\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInLeft animate-element animation-builder btn-inline-left \" target=\"_blank\" id=\"default-btn-364cd3dcc8738c74bfb09a7436718d44\" title=\"La opini\u00f3n de M\u00e1laga\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Complete review<\/span><\/a>[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"ultimate-heading-847969e80c6361261\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-847969e80c6361261 uvc-3647  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-847969e80c6361261 h4'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h4 style=\"--font-weight:theme;margin-bottom:5px;\">More reviews<\/h4><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-889c39b63a80c55a62bdf2b4956e3edf {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-889c39b63a80c55a62bdf2b4956e3edf.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-889c39b63a80c55a62bdf2b4956e3edf:after {\n  height: 2px;\n}\n#default-btn-889c39b63a80c55a62bdf2b4956e3edf > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-889c39b63a80c55a62bdf2b4956e3edf.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-889c39b63a80c55a62bdf2b4956e3edf > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.plateamagazine.com\/criticas\/19110-lianna-haroutonian-y-michael-weinius-protagonizan-tristan-und-isolde-en-el-cervantes-de-malaga\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-889c39b63a80c55a62bdf2b4956e3edf\" title=\"Platea Magazine\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Platea Magazine<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-c4ad3d71db6c2a0b840dec38da18b92c {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-c4ad3d71db6c2a0b840dec38da18b92c.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-c4ad3d71db6c2a0b840dec38da18b92c:after {\n  height: 2px;\n}\n#default-btn-c4ad3d71db6c2a0b840dec38da18b92c > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-c4ad3d71db6c2a0b840dec38da18b92c.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-c4ad3d71db6c2a0b840dec38da18b92c > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.codalario.com\/tristan-e-isolda\/portada\/critica-tristan-e-isolda-en-el-teatro-cervantes-de-malaga_14319_2_45961_0_1_in.html\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-c4ad3d71db6c2a0b840dec38da18b92c\" title=\"Codalario\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Codalario<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-8f6cd858ff6b87eb947c7f1238ed8d44 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-8f6cd858ff6b87eb947c7f1238ed8d44.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-8f6cd858ff6b87eb947c7f1238ed8d44:after {\n  height: 2px;\n}\n#default-btn-8f6cd858ff6b87eb947c7f1238ed8d44 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-8f6cd858ff6b87eb947c7f1238ed8d44.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-8f6cd858ff6b87eb947c7f1238ed8d44 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.operaactual.com\/critica\/la-revolucion-armonica-wagneriana-vibra-en-el-cervantes\/\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-8f6cd858ff6b87eb947c7f1238ed8d44\" title=\"\u00d3pera Actual\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>\u00d3pera Actual<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-3f9b9cbb62d3ace229058e14852bcb47 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-3f9b9cbb62d3ace229058e14852bcb47.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-3f9b9cbb62d3ace229058e14852bcb47:after {\n  height: 2px;\n}\n#default-btn-3f9b9cbb62d3ace229058e14852bcb47 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-3f9b9cbb62d3ace229058e14852bcb47.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-3f9b9cbb62d3ace229058e14852bcb47 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.ritmo.es\/auditorio\/critica-sobresalientes-voces-femeninas-por-jose-antonio-canton\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-3f9b9cbb62d3ace229058e14852bcb47\" title=\"Ritmo\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Ritmo<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-3b430f2665749322d9a78fc55de3fbd5 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-3b430f2665749322d9a78fc55de3fbd5.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-3b430f2665749322d9a78fc55de3fbd5:after {\n  height: 2px;\n}\n#default-btn-3b430f2665749322d9a78fc55de3fbd5 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-3b430f2665749322d9a78fc55de3fbd5.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-3b430f2665749322d9a78fc55de3fbd5 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/malagadecultura.com\/2025\/09\/26\/excelencia-compromiso-y-pedagogia\/\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-3b430f2665749322d9a78fc55de3fbd5\" title=\"Malaga de cultura\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>M\u00e1laga de Cultura<\/span><\/a>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Aunque breve,\u00a0la intervenci\u00f3n del coro \u2014dirigido por el maestro\u00a0Santiago Otero\u2014\u00a0destac\u00f3 por su contenci\u00f3n y emisi\u00f3n compacta, contribuyendo decisivamente al primer acto del\u00a0Trist\u00e1n\u00a0wagneriano.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":2,"featured_media":7704,"template":"","dt_portfolio_category":[41,56],"dt_portfolio_tags":[],"class_list":["post-7702","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-criticas-en","dt_portfolio_category-teatro-cervantes-malaga-en","dt_portfolio_category-41","dt_portfolio_category-56","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tristan und Isolde. 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M\u00e1laga, 2025 - Intermezzo Promusic\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Aunque breve,\u00a0la intervenci\u00f3n del coro \u2014dirigido por el maestro\u00a0Santiago Otero\u2014\u00a0destac\u00f3 por su contenci\u00f3n y emisi\u00f3n compacta, contribuyendo decisivamente al primer acto del\u00a0Trist\u00e1n\u00a0wagneriano.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/tristan-und-isolde-malaga-2025\/\" \/>\n<meta property=\"og:site_name\" content=\"Intermezzo Promusic\" \/>\n<meta property=\"og:image\" content=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-09-20-at-19.54.44-copia-scaled.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/tristan-und-isolde-malaga-2025\\\/\",\"url\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/tristan-und-isolde-malaga-2025\\\/\",\"name\":\"Tristan und Isolde. 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M\u00e1laga, 2025 - Intermezzo Promusic","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/intermezzo-promusic.com\/en\/criticas\/tristan-und-isolde-malaga-2025\/","og_locale":"en_US","og_type":"article","og_title":"Tristan und Isolde. 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