{"id":7735,"date":"2025-10-29T14:23:07","date_gmt":"2025-10-29T13:23:07","guid":{"rendered":"https:\/\/intermezzo-promusic.com\/?post_type=dt_portfolio&#038;p=7735"},"modified":"2025-10-29T14:23:07","modified_gmt":"2025-10-29T13:23:07","slug":"romeo-et-juliette-oviedo-2025","status":"publish","type":"dt_portfolio","link":"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/","title":{"rendered":"Rom\u00e9o et Juliette. Oviedo,  2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]El coro Intermezzo estuvo estupendo, especialmente las mujeres, que abordan una partitura muy exigente particularmente en el registro agudo, ya desde el comienzo de la funci\u00f3n.[\/vc_column_text]<div id=\"ultimate-heading-531969e80ca133e2f\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-531969e80ca133e2f uvc-1328  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-531969e80ca133e2f h5'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h5 style=\"--font-weight:theme;margin-bottom:5px;\">Scherzo<\/h5><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-b1d6e0586df24dc4bd6d26fc895c49cd.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-b1d6e0586df24dc4bd6d26fc895c49cd > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/scherzo.es\/oviedo-romeo-et-juliette-regresa-a-oviedo-despues-de-23-anos\/\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInLeft animate-element animation-builder btn-inline-left \" target=\"_blank\" id=\"default-btn-b1d6e0586df24dc4bd6d26fc895c49cd\" title=\"Scherzo\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Complete review<\/span><\/a>[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"ultimate-heading-847969e80ca133fb8\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-847969e80ca133fb8 uvc-6268  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-847969e80ca133fb8 h4'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h4 style=\"--font-weight:theme;margin-bottom:5px;\">More reviews<\/h4><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-f86f11710d19266d0d4ba9c79fbd8967 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-f86f11710d19266d0d4ba9c79fbd8967.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-f86f11710d19266d0d4ba9c79fbd8967:after {\n  height: 2px;\n}\n#default-btn-f86f11710d19266d0d4ba9c79fbd8967 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-f86f11710d19266d0d4ba9c79fbd8967.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-f86f11710d19266d0d4ba9c79fbd8967 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.elcomercio.es\/culturas\/musica\/vision-intimista-apasionada-amor-eterno-20251011233859-nt.html\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-f86f11710d19266d0d4ba9c79fbd8967\" title=\"El Comercio\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>El Comercio<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-6783ddb0840aba6452913a51fbe7eef0 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-6783ddb0840aba6452913a51fbe7eef0.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-6783ddb0840aba6452913a51fbe7eef0:after {\n  height: 2px;\n}\n#default-btn-6783ddb0840aba6452913a51fbe7eef0 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-6783ddb0840aba6452913a51fbe7eef0.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-6783ddb0840aba6452913a51fbe7eef0 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.plateamagazine.com\/criticas\/19161-ismael-jordi-y-genesis-moreno-protagonizan-romeo-et-juliette-de-gounod-en-oviedo\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-6783ddb0840aba6452913a51fbe7eef0\" title=\"Platea Magazine\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Platea Magazine<\/span><\/a>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]El coro Intermezzo estuvo estupendo, especialmente las mujeres, que abordan una partitura muy exigente particularmente en el registro agudo, ya desde el comienzo de la funci\u00f3n.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":2,"featured_media":7738,"template":"","dt_portfolio_category":[41,44],"dt_portfolio_tags":[],"class_list":["post-7735","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-criticas-en","dt_portfolio_category-opera-de-oviedo-en","dt_portfolio_category-41","dt_portfolio_category-44","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rom\u00e9o et Juliette. Oviedo, 2025 - Intermezzo Promusic<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rom\u00e9o et Juliette. Oviedo, 2025 - Intermezzo Promusic\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]El coro Intermezzo estuvo estupendo, especialmente las mujeres, que abordan una partitura muy exigente particularmente en el registro agudo, ya desde el comienzo de la funci\u00f3n.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/\" \/>\n<meta property=\"og:site_name\" content=\"Intermezzo Promusic\" \/>\n<meta property=\"og:image\" content=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/ok-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/romeo-et-juliette-oviedo-2025\\\/\",\"url\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/romeo-et-juliette-oviedo-2025\\\/\",\"name\":\"Rom\u00e9o et Juliette. Oviedo, 2025 - Intermezzo Promusic\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/romeo-et-juliette-oviedo-2025\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/romeo-et-juliette-oviedo-2025\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/intermezzo-promusic.com\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/ok-scaled.jpg\",\"datePublished\":\"2025-10-29T13:23:07+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/romeo-et-juliette-oviedo-2025\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/romeo-et-juliette-oviedo-2025\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/romeo-et-juliette-oviedo-2025\\\/#primaryimage\",\"url\":\"https:\\\/\\\/intermezzo-promusic.com\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/ok-scaled.jpg\",\"contentUrl\":\"https:\\\/\\\/intermezzo-promusic.com\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/ok-scaled.jpg\",\"width\":2560,\"height\":1920},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/romeo-et-juliette-oviedo-2025\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Portafolio\",\"item\":\"https:\\\/\\\/intermezzo-promusic.com\\\/criticas\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Rom\u00e9o et Juliette. Oviedo, 2025\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/#website\",\"url\":\"https:\\\/\\\/intermezzo-promusic.com\\\/\",\"name\":\"Intermezzo Promusic\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/intermezzo-promusic.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Rom\u00e9o et Juliette. Oviedo, 2025 - Intermezzo Promusic","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/","og_locale":"en_US","og_type":"article","og_title":"Rom\u00e9o et Juliette. Oviedo, 2025 - Intermezzo Promusic","og_description":"[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]El coro Intermezzo estuvo estupendo, especialmente las mujeres, que abordan una partitura muy exigente particularmente en el registro agudo, ya desde el comienzo de la funci\u00f3n.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]","og_url":"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/","og_site_name":"Intermezzo Promusic","og_image":[{"width":2560,"height":1920,"url":"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/ok-scaled.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/","url":"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/","name":"Rom\u00e9o et Juliette. Oviedo, 2025 - Intermezzo Promusic","isPartOf":{"@id":"https:\/\/intermezzo-promusic.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/#primaryimage"},"image":{"@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/#primaryimage"},"thumbnailUrl":"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/ok-scaled.jpg","datePublished":"2025-10-29T13:23:07+00:00","breadcrumb":{"@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/#primaryimage","url":"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/ok-scaled.jpg","contentUrl":"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/ok-scaled.jpg","width":2560,"height":1920},{"@type":"BreadcrumbList","@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/intermezzo-promusic.com\/en\/"},{"@type":"ListItem","position":2,"name":"Portafolio","item":"https:\/\/intermezzo-promusic.com\/criticas\/"},{"@type":"ListItem","position":3,"name":"Rom\u00e9o et Juliette. Oviedo, 2025"}]},{"@type":"WebSite","@id":"https:\/\/intermezzo-promusic.com\/#website","url":"https:\/\/intermezzo-promusic.com\/","name":"Intermezzo Promusic","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/intermezzo-promusic.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio\/7735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":3,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio\/7735\/revisions"}],"predecessor-version":[{"id":7742,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio\/7735\/revisions\/7742"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/media\/7738"}],"wp:attachment":[{"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/media?parent=7735"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=7735"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=7735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}