{"id":7824,"date":"2025-12-23T13:27:10","date_gmt":"2025-12-23T12:27:10","guid":{"rendered":"https:\/\/intermezzo-promusic.com\/?post_type=dt_portfolio&#038;p=7824"},"modified":"2025-12-23T13:34:51","modified_gmt":"2025-12-23T12:34:51","slug":"adios-a-la-bohemia-tenerife-2025","status":"publish","type":"dt_portfolio","link":"https:\/\/intermezzo-promusic.com\/en\/criticas\/adios-a-la-bohemia-tenerife-2025\/","title":{"rendered":"Rigoletto. Oviedo,  2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]La secci\u00f3n masculina del Coro Intermezzo, parcialmente travestido por exigencias de la producci\u00f3n, ofreci\u00f3 una actuaci\u00f3n muy eficaz tanto en escena como en las intervenciones fuera de ella, subrayando con acierto la atm\u00f3sfera de la tormenta.[\/vc_column_text]<div id=\"ultimate-heading-45069d0f289ac659\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-45069d0f289ac659 uvc-917  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-45069d0f289ac659 h5'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h5 style=\"--font-weight:theme;margin-bottom:5px;\">\u00d3pera Actual<\/h5><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-f9a3c8e068bae2f50ec02e0c0bcd5a17.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-f9a3c8e068bae2f50ec02e0c0bcd5a17 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.operaactual.com\/critica\/contrastes-vocales-en-el-segundo-reparto-de-rigoletto\/\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInLeft animate-element animation-builder btn-inline-left \" target=\"_blank\" id=\"default-btn-f9a3c8e068bae2f50ec02e0c0bcd5a17\" title=\"\u00d3pera Actual\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Complete review<\/span><\/a>[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"ultimate-heading-909969d0f289ac8c1\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-909969d0f289ac8c1 uvc-5999  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-909969d0f289ac8c1 h4'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h4 style=\"--font-weight:theme;margin-bottom:5px;\">More reviews<\/h4><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-89ada560583112503f04aa5326757b7b {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-89ada560583112503f04aa5326757b7b.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-89ada560583112503f04aa5326757b7b:after {\n  height: 2px;\n}\n#default-btn-89ada560583112503f04aa5326757b7b > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-89ada560583112503f04aa5326757b7b.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-89ada560583112503f04aa5326757b7b > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.elcomercio.es\/culturas\/musica\/bufon-multiples-facetas-20251212231248-nt.html\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-89ada560583112503f04aa5326757b7b\" title=\"El Comercio\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>El Comercio<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-85e765ec6147da8ba5cad1bb87ebcfa1 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-85e765ec6147da8ba5cad1bb87ebcfa1.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-85e765ec6147da8ba5cad1bb87ebcfa1:after {\n  height: 2px;\n}\n#default-btn-85e765ec6147da8ba5cad1bb87ebcfa1 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-85e765ec6147da8ba5cad1bb87ebcfa1.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-85e765ec6147da8ba5cad1bb87ebcfa1 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.operaactual.com\/critica\/la-musica-disipa-las-dudas-de-la-escena-en-rigoletto\/\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-85e765ec6147da8ba5cad1bb87ebcfa1\" title=\"\u00d3pera Actual\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>\u00d3pera Actual<\/span><\/a><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-80df68faad4ea90437741e7c378c7198 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-80df68faad4ea90437741e7c378c7198.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-80df68faad4ea90437741e7c378c7198:after {\n  height: 2px;\n}\n#default-btn-80df68faad4ea90437741e7c378c7198 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-80df68faad4ea90437741e7c378c7198.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-80df68faad4ea90437741e7c378c7198 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.codalario.com\/rigoletto\/criticas\/critica-rigoletto-en-el-teatro-campoamor-de-oviedo_14500_5_46593_0_1_in.html\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-80df68faad4ea90437741e7c378c7198\" title=\"Codalario\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Codalario<\/span><\/a>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]La secci\u00f3n masculina del Coro Intermezzo, parcialmente travestido por exigencias de la producci\u00f3n, ofreci\u00f3 una actuaci\u00f3n muy eficaz tanto en escena como en las intervenciones fuera de&hellip;<\/p>\n","protected":false},"author":2,"featured_media":7832,"template":"","dt_portfolio_category":[41,44],"dt_portfolio_tags":[],"class_list":["post-7824","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-criticas-en","dt_portfolio_category-opera-de-oviedo-en","dt_portfolio_category-41","dt_portfolio_category-44","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rigoletto. 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