{"id":7947,"date":"2026-03-09T10:42:54","date_gmt":"2026-03-09T09:42:54","guid":{"rendered":"https:\/\/intermezzo-promusic.com\/?post_type=dt_portfolio&#038;p=7947"},"modified":"2026-03-09T10:52:29","modified_gmt":"2026-03-09T09:52:29","slug":"la-verbena-de-la-paloma-malaga-2026","status":"publish","type":"dt_portfolio","link":"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/","title":{"rendered":"La verbena de la paloma. M\u00e1laga,  2026"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El coro Intermezzo, al cuidado de Pablo Moras, tambi\u00e9n jug\u00f3 un papel destacado en la doble exigencia ya mencionada que supone un plus de concreci\u00f3n especialmente en el movimiento esc\u00e9nico ideado por Nuria Castej\u00f3n. Especialmente brillante sobresali\u00f3 en las Seguidillas, uno de los momentos m\u00e1s esperados por el p\u00fablico y que subraya el tono amable que atraviesa esta peque\u00f1a joya del maestro Bret\u00f3n.&#8221;[\/vc_column_text]<div id=\"ultimate-heading-763969e5aea27f632\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-763969e5aea27f632 uvc-7008  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-763969e5aea27f632 h5'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h5 style=\"--font-weight:theme;margin-bottom:5px;\">La opini\u00f3n de M\u00e1laga<\/h5><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-c1323db95216ff61f1ded6b39ea74850.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-c1323db95216ff61f1ded6b39ea74850 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.laopiniondemalaga.es\/cultura-espectaculos\/2026\/02\/28\/tomas-breton-reina-tablas-cervantes-127384343.html\" class=\"default-btn-shortcode dt-btn dt-btn-m fadeInLeft animate-element animation-builder btn-inline-left \" target=\"_blank\" id=\"default-btn-c1323db95216ff61f1ded6b39ea74850\" title=\"La opini\u00f3n de M\u00e1laga\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>Complete review<\/span><\/a>[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div id=\"ultimate-heading-303269e5aea27f8b1\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-303269e5aea27f8b1 uvc-9251  uvc-heading-default-font-sizes\" data-hspacer=\"line_only\"  data-halign=\"left\" style=\"text-align:left\"><div class=\"uvc-main-heading ult-responsive\"  data-ultimate-target='.uvc-heading.ultimate-heading-303269e5aea27f8b1 h4'  data-responsive-json-new='{\"font-size\":\"\",\"line-height\":\"\"}' ><h4 style=\"--font-weight:theme;margin-bottom:5px;\">More review<\/h4><\/div><div class=\"uvc-heading-spacer line_only\" style=\"margin-bottom:20px;height:1px;\"><span class=\"uvc-headings-line\" style=\"border-style:solid;border-bottom-width:1px;border-color:#8b0e12;width:30px;\"><\/span><\/div><\/div><style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">#default-btn-cef11c6b06a7306e51ec3e087298e949 {\n  font-size: 15px;\n  line-height: 17px;\n  padding: 4px 0px 4px 0px;\n}\n#default-btn-cef11c6b06a7306e51ec3e087298e949.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-cef11c6b06a7306e51ec3e087298e949:after {\n  height: 2px;\n}\n#default-btn-cef11c6b06a7306e51ec3e087298e949 > i {\n  margin-right: 8px;\n  font-size: 11px;\n}\n#default-btn-cef11c6b06a7306e51ec3e087298e949.ico-right-side > i {\n  margin-right: 0px;\n  margin-left: 8px;\n}\n#default-btn-cef11c6b06a7306e51ec3e087298e949 > i {\n  margin-right: 8px;\n}<\/style><a href=\"https:\/\/www.operaactual.com\/critica\/la-verbena-de-la-paloma-o-la-esencia-de-lo-propio\/\" class=\"default-btn-shortcode dt-btn-link fadeInRight animate-element animation-builder btn-inline-left upwards-line \" target=\"_blank\" id=\"default-btn-cef11c6b06a7306e51ec3e087298e949\" title=\"\u00d3pera Actual\" rel=\"noopener\"><i class=\"fas fa-link\"><\/i><span>\u00d3pera Actual<\/span><\/a>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El coro Intermezzo, al cuidado de Pablo Moras, tambi\u00e9n jug\u00f3 un papel destacado en la doble exigencia ya mencionada que supone un plus de concreci\u00f3n especialmente en&hellip;<\/p>\n","protected":false},"author":2,"featured_media":7949,"template":"","dt_portfolio_category":[41,56],"dt_portfolio_tags":[],"class_list":["post-7947","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-criticas-en","dt_portfolio_category-teatro-cervantes-malaga-en","dt_portfolio_category-41","dt_portfolio_category-56","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La verbena de la paloma. M\u00e1laga, 2026 - Intermezzo Promusic<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La verbena de la paloma. M\u00e1laga, 2026 - Intermezzo Promusic\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El coro Intermezzo, al cuidado de Pablo Moras, tambi\u00e9n jug\u00f3 un papel destacado en la doble exigencia ya mencionada que supone un plus de concreci\u00f3n especialmente en&hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/\" \/>\n<meta property=\"og:site_name\" content=\"Intermezzo Promusic\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-09T09:52:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/WhatsApp-Image-2026-02-27-at-12.21.53-scaled.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/la-verbena-de-la-paloma-malaga-2026\\\/\",\"url\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/la-verbena-de-la-paloma-malaga-2026\\\/\",\"name\":\"La verbena de la paloma. M\u00e1laga, 2026 - Intermezzo Promusic\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/la-verbena-de-la-paloma-malaga-2026\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/la-verbena-de-la-paloma-malaga-2026\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/intermezzo-promusic.com\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/WhatsApp-Image-2026-02-27-at-12.21.53-scaled.jpeg\",\"datePublished\":\"2026-03-09T09:42:54+00:00\",\"dateModified\":\"2026-03-09T09:52:29+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/la-verbena-de-la-paloma-malaga-2026\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/la-verbena-de-la-paloma-malaga-2026\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/la-verbena-de-la-paloma-malaga-2026\\\/#primaryimage\",\"url\":\"https:\\\/\\\/intermezzo-promusic.com\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/WhatsApp-Image-2026-02-27-at-12.21.53-scaled.jpeg\",\"contentUrl\":\"https:\\\/\\\/intermezzo-promusic.com\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/WhatsApp-Image-2026-02-27-at-12.21.53-scaled.jpeg\",\"width\":1920,\"height\":2560},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/criticas\\\/la-verbena-de-la-paloma-malaga-2026\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/intermezzo-promusic.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Portafolio\",\"item\":\"https:\\\/\\\/intermezzo-promusic.com\\\/criticas\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"La verbena de la paloma. M\u00e1laga, 2026\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/intermezzo-promusic.com\\\/#website\",\"url\":\"https:\\\/\\\/intermezzo-promusic.com\\\/\",\"name\":\"Intermezzo Promusic\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/intermezzo-promusic.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La verbena de la paloma. M\u00e1laga, 2026 - Intermezzo Promusic","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/","og_locale":"en_US","og_type":"article","og_title":"La verbena de la paloma. M\u00e1laga, 2026 - Intermezzo Promusic","og_description":"[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El coro Intermezzo, al cuidado de Pablo Moras, tambi\u00e9n jug\u00f3 un papel destacado en la doble exigencia ya mencionada que supone un plus de concreci\u00f3n especialmente en&hellip;","og_url":"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/","og_site_name":"Intermezzo Promusic","article_modified_time":"2026-03-09T09:52:29+00:00","og_image":[{"width":1920,"height":2560,"url":"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/WhatsApp-Image-2026-02-27-at-12.21.53-scaled.jpeg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/","url":"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/","name":"La verbena de la paloma. M\u00e1laga, 2026 - Intermezzo Promusic","isPartOf":{"@id":"https:\/\/intermezzo-promusic.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/#primaryimage"},"image":{"@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/#primaryimage"},"thumbnailUrl":"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/WhatsApp-Image-2026-02-27-at-12.21.53-scaled.jpeg","datePublished":"2026-03-09T09:42:54+00:00","dateModified":"2026-03-09T09:52:29+00:00","breadcrumb":{"@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/#primaryimage","url":"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/WhatsApp-Image-2026-02-27-at-12.21.53-scaled.jpeg","contentUrl":"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/WhatsApp-Image-2026-02-27-at-12.21.53-scaled.jpeg","width":1920,"height":2560},{"@type":"BreadcrumbList","@id":"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/intermezzo-promusic.com\/en\/"},{"@type":"ListItem","position":2,"name":"Portafolio","item":"https:\/\/intermezzo-promusic.com\/criticas\/"},{"@type":"ListItem","position":3,"name":"La verbena de la paloma. M\u00e1laga, 2026"}]},{"@type":"WebSite","@id":"https:\/\/intermezzo-promusic.com\/#website","url":"https:\/\/intermezzo-promusic.com\/","name":"Intermezzo Promusic","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/intermezzo-promusic.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio\/7947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":2,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio\/7947\/revisions"}],"predecessor-version":[{"id":7952,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio\/7947\/revisions\/7952"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/media\/7949"}],"wp:attachment":[{"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/media?parent=7947"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=7947"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/intermezzo-promusic.com\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=7947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}