{"id":3212,"date":"2021-08-23T08:54:29","date_gmt":"2021-08-23T06:54:29","guid":{"rendered":"https:\/\/intermezzo-promusic.com\/criticas\/"},"modified":"2022-03-02T22:40:42","modified_gmt":"2022-03-02T21:40:42","slug":"reviews","status":"publish","type":"page","link":"https:\/\/intermezzo-promusic.com\/en\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column]<style type=\"text\/css\" data-type=\"the7_shortcodes-inline-css\">.portfolio-shortcode.portfolio-masonry-shortcode-id-9da63e9adbb684cbce5cf3849016775c.dividers-on.classic-layout-list article {\n  padding-top: 0;\n}\n.portfolio-shortcode.portfolio-masonry-shortcode-id-9da63e9adbb684cbce5cf3849016775c.dividers-on.classic-layout-list article:first-of-type {\n  margin-top: 0;\n  padding-top: 0;\n}\n.portfolio-shortcode.portfolio-masonry-shortcode-id-9da63e9adbb684cbce5cf3849016775c.classic-layout-list.mode-list .post-entry-content {\n  width: calc(100% - 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.portfolio-shortcode.portfolio-masonry-shortcode-id-9da63e9adbb684cbce5cf3849016775c.resize-by-browser-width .dt-css-grid .wf-cell,\n  .no-cssgridlegacy.no-cssgrid .portfolio-shortcode.portfolio-masonry-shortcode-id-9da63e9adbb684cbce5cf3849016775c.resize-by-browser-width .dt-css-grid .wf-cell {\n    width: 100%;\n  }\n  .cssgridlegacy.no-cssgrid .portfolio-shortcode.portfolio-masonry-shortcode-id-9da63e9adbb684cbce5cf3849016775c.resize-by-browser-width .dt-css-grid .wf-cell.double-width,\n  .no-cssgridlegacy.no-cssgrid .portfolio-shortcode.portfolio-masonry-shortcode-id-9da63e9adbb684cbce5cf3849016775c.resize-by-browser-width .dt-css-grid .wf-cell.double-width {\n    width: calc(100%)*2;\n  }\n}<\/style><div class=\"portfolio-shortcode portfolio-masonry-shortcode-id-9da63e9adbb684cbce5cf3849016775c mode-grid classic-layout-list content-bg-on jquery-filter dt-icon-bg-on dt-icon-border-on dt-icon-hover-on dt-icon-hover-border-on dt-icon-hover-bg-on quick-scale-img dt-css-grid-wrap enable-bg-rollover resize-by-browser-width  loading-effect-none description-under-image \" data-padding=\"15px\" data-cur-page=\"1\" data-post-limit=\"-1\" data-pagination-mode=\"none\" data-desktop-columns-num=\"3\" data-v-tablet-columns-num=\"2\" data-h-tablet-columns-num=\"3\" data-phone-columns-num=\"1\" data-width=\"0px\" data-columns=\"0\"><div class=\"dt-css-grid\" ><div class=\"visible wf-cell\" data-post-id=\"7962\" data-date=\"2026-03-31T10:18:14+02:00\" data-name=\"Rom\u00e9o et Juliette. Tenerife,  2026\"><article class=\"post visible post-7962 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-tenerife-en dt_portfolio_category-41 dt_portfolio_category-51\" data-name=\"Rom\u00e9o et Juliette. Tenerife,  2026\" data-date=\"2026-03-31T10:18:14+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-tenerife-2026\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img fetchpriority=\"high\" decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/WhatsApp-Image-2026-03-13-at-23.47.12-scaled-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/WhatsApp-Image-2026-03-13-at-23.47.12-scaled-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/WhatsApp-Image-2026-03-13-at-23.47.12-scaled-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2026-03-13 at 23.47.12\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-tenerife-2026\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-tenerife-2026\/\" target=\"\" title=\"Rom\u00e9o et Juliette. Tenerife,  2026\" rel=\"bookmark\">Rom\u00e9o et Juliette. Tenerife,  2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-tenerife-en\/\" >\u00d3pera de Tenerife<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:18\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-03-31T10:18:14+02:00\">31\/03\/2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El Coro Titular \u00d3pera de Tenerife-Intermezzo, bajo la direcci\u00f3n de Miguel \u00c1ngel Arqued, tuvo, como es habitual, una presencia destacada. No solo cumpli\u00f3 y con solvencia en&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-tenerife-2026\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7947\" data-date=\"2026-03-09T10:42:54+01:00\" data-name=\"La verbena de la paloma. M\u00e1laga,  2026\"><article class=\"post visible post-7947 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-cervantes-malaga-en dt_portfolio_category-41 dt_portfolio_category-56\" data-name=\"La verbena de la paloma. M\u00e1laga,  2026\" data-date=\"2026-03-09T10:42:54+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/WhatsApp-Image-2026-02-27-at-12.21.53-scaled-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/WhatsApp-Image-2026-02-27-at-12.21.53-scaled-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/WhatsApp-Image-2026-02-27-at-12.21.53-scaled-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2026-02-27 at 12.21.53\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/\" target=\"\" title=\"La verbena de la paloma. M\u00e1laga,  2026\" rel=\"bookmark\">La verbena de la paloma. M\u00e1laga,  2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-cervantes-malaga-en\/\" >Teatro Cervantes M\u00e1laga<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:42\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-03-09T10:42:54+01:00\">09\/03\/2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El coro Intermezzo, al cuidado de Pablo Moras, tambi\u00e9n jug\u00f3 un papel destacado en la doble exigencia ya mencionada que supone un plus de concreci\u00f3n especialmente en&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-verbena-de-la-paloma-malaga-2026\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7928\" data-date=\"2026-03-03T09:49:21+01:00\" data-name=\"Ariane et Barbe bleue. Madrid,  2026\"><article class=\"post visible post-7928 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Ariane et Barbe bleue. Madrid,  2026\" data-date=\"2026-03-03T09:49:21+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/ariane-et-barbe-bleue-madrid-2026\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/IMG_2926-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/IMG_2926-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/03\/IMG_2926-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Ariane et Barbe bleue\" title=\"IMG_2926\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/ariane-et-barbe-bleue-madrid-2026\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/ariane-et-barbe-bleue-madrid-2026\/\" target=\"\" title=\"Ariane et Barbe bleue. Madrid,  2026\" rel=\"bookmark\">Ariane et Barbe bleue. Madrid,  2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"09:49\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-03-03T09:49:21+01:00\">03\/03\/2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El coro del Teatro Real volvi\u00f3 una vez m\u00e1s a cumplir su doble cometido a las mil maravillas. No solo cantando, sino siendo una pieza clave en&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/ariane-et-barbe-bleue-madrid-2026\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7919\" data-date=\"2026-02-23T10:11:30+01:00\" data-name=\"Enemigo del pueblo. Madrid,  2026\"><article class=\"post visible post-7919 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Enemigo del pueblo. Madrid,  2026\" data-date=\"2026-02-23T10:11:30+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/enemigo-del-pueblo-madrid-2026\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/02\/PHOTO-2026-01-30-22-03-29-2-e1771837677343-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/02\/PHOTO-2026-01-30-22-03-29-2-e1771837677343-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/02\/PHOTO-2026-01-30-22-03-29-2-e1771837677343-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"PHOTO-2026-01-30-22-03-29 2\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/enemigo-del-pueblo-madrid-2026\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/enemigo-del-pueblo-madrid-2026\/\" target=\"\" title=\"Enemigo del pueblo. Madrid,  2026\" rel=\"bookmark\">Enemigo del pueblo. Madrid,  2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:11\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-02-23T10:11:30+01:00\">23\/02\/2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El \u00faltimo personaje es el pueblo, el mismo que \u201cdemocr\u00e1ticamente\u201d decide que el doctor es enemigo del pueblo y el Coro Titular del Teatro Real volvi\u00f3 a&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/enemigo-del-pueblo-madrid-2026\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7911\" data-date=\"2026-02-18T09:41:19+01:00\" data-name=\"I masnadieri. Madrid,  2026\"><article class=\"post visible post-7911 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"I masnadieri. Madrid,  2026\" data-date=\"2026-02-18T09:41:19+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/i-masnadieri-madrid-2026\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/02\/PHOTO-2026-02-07-20-49-04-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/02\/PHOTO-2026-02-07-20-49-04-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/02\/PHOTO-2026-02-07-20-49-04-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"PHOTO-2026-02-07-20-49-04\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/i-masnadieri-madrid-2026\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/i-masnadieri-madrid-2026\/\" target=\"\" title=\"I masnadieri. Madrid,  2026\" rel=\"bookmark\">I masnadieri. Madrid,  2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"09:41\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-02-18T09:41:19+01:00\">18\/02\/2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]El solo de violonchelo de la obertura ya marc\u00f3 el camino para una noche de gran \u00f3pera, en la que el\u00a0Coro Titular del Teatro, a las \u00f3rdenes&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/i-masnadieri-madrid-2026\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7899\" data-date=\"2026-02-11T09:14:49+01:00\" data-name=\"Carmen. Oviedo,  2026\"><article class=\"post visible post-7899 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Carmen. Oviedo,  2026\" data-date=\"2026-02-11T09:14:49+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/carmen-oviedo-2026\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/02\/CARMEN_10885-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/02\/CARMEN_10885-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/02\/CARMEN_10885-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"CARMEN_10885\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/carmen-oviedo-2026\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/carmen-oviedo-2026\/\" target=\"\" title=\"Carmen. Oviedo,  2026\" rel=\"bookmark\">Carmen. Oviedo,  2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"09:14\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-02-11T09:14:49+01:00\">11\/02\/2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El Coro Intermezzo fue, sin duda, uno de los pilares de la funci\u00f3n, exhibiendo un gran nivel vocal y actoral&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/carmen-oviedo-2026\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7886\" data-date=\"2026-01-29T09:30:53+01:00\" data-name=\"Orfeo ed Euridice. Tenerife,  2026\"><article class=\"post visible post-7886 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-tenerife-en dt_portfolio_category-41 dt_portfolio_category-51\" data-name=\"Orfeo ed Euridice. Tenerife,  2026\" data-date=\"2026-01-29T09:30:53+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/orfeo-ed-euridice-tenerife-2026\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/01\/WhatsApp-Image-2026-01-23-at-21.36.25-1-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/01\/WhatsApp-Image-2026-01-23-at-21.36.25-1-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/01\/WhatsApp-Image-2026-01-23-at-21.36.25-1-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2026-01-23 at 21.36.25 (1)\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/orfeo-ed-euridice-tenerife-2026\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/orfeo-ed-euridice-tenerife-2026\/\" target=\"\" title=\"Orfeo ed Euridice. Tenerife,  2026\" rel=\"bookmark\">Orfeo ed Euridice. Tenerife,  2026<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-tenerife-en\/\" >\u00d3pera de Tenerife<\/a><\/span><a href=\"javascript:void(0);\" title=\"09:30\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-01-29T09:30:53+01:00\">29\/01\/2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Impecable tambi\u00e9n el trabajo del Coro \u00d3pera de Tenerife-Intermezzo, dirigido por\u00a0Miguel \u00c1ngel Arqued, s\u00f3lido y expresivo.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/orfeo-ed-euridice-tenerife-2026\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7843\" data-date=\"2026-01-09T10:16:55+01:00\" data-name=\"Rigoletto. Oviedo,  2025\"><article class=\"post visible post-7843 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Rigoletto. Oviedo,  2025\" data-date=\"2026-01-09T10:16:55+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rigoletto-oviedo-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/01\/WhatsApp-Image-2025-12-14-at-10.12.49-scaled-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/01\/WhatsApp-Image-2025-12-14-at-10.12.49-scaled-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2026\/01\/WhatsApp-Image-2025-12-14-at-10.12.49-scaled-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2025-12-14 at 10.12.49\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rigoletto-oviedo-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rigoletto-oviedo-2025\/\" target=\"\" title=\"Rigoletto. Oviedo,  2025\" rel=\"bookmark\">Rigoletto. Oviedo,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:16\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2026-01-09T10:16:55+01:00\">09\/01\/2026<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]La secci\u00f3n masculina del Coro Intermezzo, parcialmente travestido por exigencias de la producci\u00f3n, ofreci\u00f3 una actuaci\u00f3n muy eficaz tanto en escena como en las intervenciones fuera de&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rigoletto-oviedo-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7824\" data-date=\"2025-12-23T13:27:10+01:00\" data-name=\"Rigoletto. Oviedo,  2025\"><article class=\"post visible post-7824 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Rigoletto. Oviedo,  2025\" data-date=\"2025-12-23T13:27:10+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adios-a-la-bohemia-tenerife-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/12\/WhatsApp-Image-2025-12-11-at-10.22.17-scaled-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/12\/WhatsApp-Image-2025-12-11-at-10.22.17-scaled-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/12\/WhatsApp-Image-2025-12-11-at-10.22.17-scaled-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2025-12-11 at 10.22.17\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adios-a-la-bohemia-tenerife-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adios-a-la-bohemia-tenerife-2025\/\" target=\"\" title=\"Rigoletto. Oviedo,  2025\" rel=\"bookmark\">Rigoletto. Oviedo,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:27\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-12-23T13:27:10+01:00\">23\/12\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]La secci\u00f3n masculina del Coro Intermezzo, parcialmente travestido por exigencias de la producci\u00f3n, ofreci\u00f3 una actuaci\u00f3n muy eficaz tanto en escena como en las intervenciones fuera de&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adios-a-la-bohemia-tenerife-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7817\" data-date=\"2025-12-23T13:22:32+01:00\" data-name=\"Der fliegende Holl\u00e4nder. Tenerife,  2025\"><article class=\"post visible post-7817 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-tenerife-en dt_portfolio_category-41 dt_portfolio_category-51\" data-name=\"Der fliegende Holl\u00e4nder. Tenerife,  2025\" data-date=\"2025-12-23T13:22:32+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/der-fliegende-hollander-tenerife-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/12\/WhatsApp-Image-2025-11-17-at-08.59.35-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/12\/WhatsApp-Image-2025-11-17-at-08.59.35-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/12\/WhatsApp-Image-2025-11-17-at-08.59.35-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2025-11-17 at 08.59.35\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/der-fliegende-hollander-tenerife-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/der-fliegende-hollander-tenerife-2025\/\" target=\"\" title=\"Der fliegende Holl\u00e4nder. Tenerife,  2025\" rel=\"bookmark\">Der fliegende Holl\u00e4nder. Tenerife,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-tenerife-en\/\" >\u00d3pera de Tenerife<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:22\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-12-23T13:22:32+01:00\">23\/12\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Miguel \u00c1ngel Arqued, al frente del Coro Titular \u00d3pera de Tenerife-Intermezzo, logr\u00f3 un empaste y adecuaci\u00f3n ejemplares de las voces a la atm\u00f3sfera requerida bajo el mando&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/der-fliegende-hollander-tenerife-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7810\" data-date=\"2025-12-23T13:12:33+01:00\" data-name=\"Orlando Furioso. Oviedo,  2025\"><article class=\"post visible post-7810 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Orlando Furioso. Oviedo,  2025\" data-date=\"2025-12-23T13:12:33+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/orlando-furioso-oviedo-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/12\/WhatsApp-Image-2025-11-22-at-21.26.47-scaled-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/12\/WhatsApp-Image-2025-11-22-at-21.26.47-scaled-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/12\/WhatsApp-Image-2025-11-22-at-21.26.47-scaled-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2025-11-22 at 21.26.47\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/orlando-furioso-oviedo-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/orlando-furioso-oviedo-2025\/\" target=\"\" title=\"Orlando Furioso. Oviedo,  2025\" rel=\"bookmark\">Orlando Furioso. Oviedo,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:12\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-12-23T13:12:33+01:00\">23\/12\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]El Coro Intermezzo que prepara Pablo Moras, volvio\u0301 a mostrar su solidez habitual, preciso y empastado en sus breves intervenciones desde el foso, con volumen y buen&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/orlando-furioso-oviedo-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7744\" data-date=\"2025-10-29T14:32:24+01:00\" data-name=\"Yerma. Tenerife,  2025\"><article class=\"post visible post-7744 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-tenerife-en dt_portfolio_category-41 dt_portfolio_category-51\" data-name=\"Yerma. Tenerife,  2025\" data-date=\"2025-10-29T14:32:24+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/yerma-tenerife-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-10-15-at-02.18.39-2-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-10-15-at-02.18.39-2-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-10-15-at-02.18.39-2-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2025-10-15 at 02.18.39 (2)\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/yerma-tenerife-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/yerma-tenerife-2025\/\" target=\"\" title=\"Yerma. Tenerife,  2025\" rel=\"bookmark\">Yerma. Tenerife,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-tenerife-en\/\" >\u00d3pera de Tenerife<\/a><\/span><a href=\"javascript:void(0);\" title=\"14:32\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-10-29T14:32:24+01:00\">29\/10\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Cabe mencionar especialmente al Coro de la \u00d3pera de Tenerife que dirige\u00a0Miguel \u00c1ngel Arqued, que realiz\u00f3 una excelente labor, realzando los momentos culminantes de la \u00f3pera como&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/yerma-tenerife-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7735\" data-date=\"2025-10-29T14:23:07+01:00\" data-name=\"Rom\u00e9o et Juliette. Oviedo,  2025\"><article class=\"post visible post-7735 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Rom\u00e9o et Juliette. Oviedo,  2025\" data-date=\"2025-10-29T14:23:07+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/ok-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/ok-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/ok-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"ok\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/\" target=\"\" title=\"Rom\u00e9o et Juliette. Oviedo,  2025\" rel=\"bookmark\">Rom\u00e9o et Juliette. Oviedo,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"14:23\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-10-29T14:23:07+01:00\">29\/10\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]El coro Intermezzo estuvo estupendo, especialmente las mujeres, que abordan una partitura muy exigente particularmente en el registro agudo, ya desde el comienzo de la funci\u00f3n.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/romeo-et-juliette-oviedo-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7727\" data-date=\"2025-10-29T14:14:36+01:00\" data-name=\"Iris. Madrid,  2025\"><article class=\"post visible post-7727 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Iris. Madrid,  2025\" data-date=\"2025-10-29T14:14:36+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/iris-madrid-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_1572-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_1572-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_1572-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"IMG_1572\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/iris-madrid-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/iris-madrid-2025\/\" target=\"\" title=\"Iris. Madrid,  2025\" rel=\"bookmark\">Iris. Madrid,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"14:14\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-10-29T14:14:36+01:00\">29\/10\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]El Coro estuvo, como casi siempre, muy bien, sonando compacto, sin la menor fisura y una gran brillantez en sus momentos de mayor protagonismo como en el\u00a0Himno&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/iris-madrid-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7702\" data-date=\"2025-10-15T14:00:20+02:00\" data-name=\"Tristan und Isolde. M\u00e1laga,  2025\"><article class=\"post visible post-7702 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-cervantes-malaga-en dt_portfolio_category-41 dt_portfolio_category-56\" data-name=\"Tristan und Isolde. M\u00e1laga,  2025\" data-date=\"2025-10-15T14:00:20+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/tristan-und-isolde-malaga-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-09-20-at-19.54.44-copia-scaled-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-09-20-at-19.54.44-copia-scaled-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-09-20-at-19.54.44-copia-scaled-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2025-09-20 at 19.54.44 copia\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/tristan-und-isolde-malaga-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/tristan-und-isolde-malaga-2025\/\" target=\"\" title=\"Tristan und Isolde. M\u00e1laga,  2025\" rel=\"bookmark\">Tristan und Isolde. M\u00e1laga,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-cervantes-malaga-en\/\" >Teatro Cervantes M\u00e1laga<\/a><\/span><a href=\"javascript:void(0);\" title=\"14:00\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-10-15T14:00:20+02:00\">15\/10\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Aunque breve,\u00a0la intervenci\u00f3n del coro \u2014dirigido por el maestro\u00a0Santiago Otero\u2014\u00a0destac\u00f3 por su contenci\u00f3n y emisi\u00f3n compacta, contribuyendo decisivamente al primer acto del\u00a0Trist\u00e1n\u00a0wagneriano.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/tristan-und-isolde-malaga-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7693\" data-date=\"2025-10-15T13:37:56+02:00\" data-name=\"Otello. Madrid,  2025\"><article class=\"post visible post-7693 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Otello. Madrid,  2025\" data-date=\"2025-10-15T13:37:56+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/otello-madrid-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_0563-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_0563-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_0563-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"IMG_0563\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/otello-madrid-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/otello-madrid-2025\/\" target=\"\" title=\"Otello. Madrid,  2025\" rel=\"bookmark\">Otello. Madrid,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:37\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-10-15T13:37:56+02:00\">15\/10\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Todos ellos fueron muy aclamados en la noche del estreno, al igual que el cada vez m\u00e1s estupendo\u00a0Coro Titular del Teatro Real que, a las \u00f3rdenes de\u00a0Jos\u00e9&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/otello-madrid-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7684\" data-date=\"2025-10-14T14:15:46+02:00\" data-name=\"I Lombardi. Madrid,  2025\"><article class=\"post visible post-7684 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"I Lombardi. Madrid,  2025\" data-date=\"2025-10-14T14:15:46+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/i-lombardi-madrid-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_4138-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_4138-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_4138-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"IMG_4138\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/i-lombardi-madrid-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/i-lombardi-madrid-2025\/\" target=\"\" title=\"I Lombardi. Madrid,  2025\" rel=\"bookmark\">I Lombardi. Madrid,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"14:15\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-10-14T14:15:46+02:00\">14\/10\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Sin embargo, el verdadero protagonista de\u00a0Lombardi, el que m\u00e1s canta, es, sin ninguna duda, el coro. El titular del Teatro Real evidenci\u00f3 lo que ya sab\u00edamos: que&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/i-lombardi-madrid-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7674\" data-date=\"2025-10-14T14:03:05+02:00\" data-name=\"La Traviata. Madrid,  2025\"><article class=\"post visible post-7674 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"La Traviata. Madrid,  2025\" data-date=\"2025-10-14T14:03:05+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-traviata-madrid-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_4010-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_4010-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_4010-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"IMG_4010\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-traviata-madrid-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-traviata-madrid-2025\/\" target=\"\" title=\"La Traviata. Madrid,  2025\" rel=\"bookmark\">La Traviata. Madrid,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"14:03\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-10-14T14:03:05+02:00\">14\/10\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]La actuaci\u00f3n del\u00a0Coro Titular del Teatro Real, activa y siempre adaptada a las exigencias de la escena, muestra una actitud vital. Siempre est\u00e1n muy bien coordinados en&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-traviata-madrid-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7667\" data-date=\"2025-10-14T13:54:46+02:00\" data-name=\"La edad de plata. M\u00e1laga,  2025\"><article class=\"post visible post-7667 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-cervantes-malaga-en dt_portfolio_category-41 dt_portfolio_category-56\" data-name=\"La edad de plata. M\u00e1laga,  2025\" data-date=\"2025-10-14T13:54:46+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-edad-de-plata-malaga-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_3056-copia-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_3056-copia-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/IMG_3056-copia-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"IMG_3056 copia\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-edad-de-plata-malaga-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-edad-de-plata-malaga-2025\/\" target=\"\" title=\"La edad de plata. M\u00e1laga,  2025\" rel=\"bookmark\">La edad de plata. M\u00e1laga,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-cervantes-malaga-en\/\" >Teatro Cervantes M\u00e1laga<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:54\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-10-14T13:54:46+02:00\">14\/10\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]&#8221;El Coro titular del Cervantes, al cuidado de Pablo Moras, fue uno de los puntos claves de la noche, presentando un trabajo elaborado, balanceado entre secciones, destacando&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-edad-de-plata-malaga-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7660\" data-date=\"2025-10-14T13:44:24+02:00\" data-name=\"Attila. Madrid,  2025\"><article class=\"post visible post-7660 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Attila. Madrid,  2025\" data-date=\"2025-10-14T13:44:24+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/attila-madrid-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/ok-fb-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/ok-fb-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/10\/ok-fb-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Attila\" title=\"ok fb\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/attila-madrid-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/attila-madrid-2025\/\" target=\"\" title=\"Attila. Madrid,  2025\" rel=\"bookmark\">Attila. Madrid,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:44\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-10-14T13:44:24+02:00\">14\/10\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]\u201cEnaltecimiento del coro, tan importante en este caso con sus marchas guerreras y sus comentarios a distintas situaciones. El del Real (el Intermezzo) dirigido en la actualidad&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/attila-madrid-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7037\" data-date=\"2025-03-12T10:41:01+01:00\" data-name=\"Aida. M\u00e1laga,  2025\"><article class=\"post visible post-7037 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-cervantes-malaga-en dt_portfolio_category-41 dt_portfolio_category-56\" data-name=\"Aida. M\u00e1laga,  2025\" data-date=\"2025-03-12T10:41:01+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-malaga-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/03\/PHOTO-2025-03-07-12-43-39-2-scaled-e1741772056355-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/03\/PHOTO-2025-03-07-12-43-39-2-scaled-e1741772056355-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/03\/PHOTO-2025-03-07-12-43-39-2-scaled-e1741772056355-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Aida M\u00e1laga\" title=\"PHOTO-2025-03-07-12-43-39 2\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-malaga-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-malaga-2025\/\" target=\"\" title=\"Aida. M\u00e1laga,  2025\" rel=\"bookmark\">Aida. M\u00e1laga,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-cervantes-malaga-en\/\" >Teatro Cervantes M\u00e1laga<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:41\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-03-12T10:41:01+01:00\">12\/03\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Noche de \u00f3pera tambi\u00e9n especial para el conjunto coral de Intermezzo al cuidado, en esta ocasi\u00f3n, del maestro Pablo Moras: la formaci\u00f3n dio sus primeros pasos en la&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-malaga-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6865\" data-date=\"2025-02-28T12:54:34+01:00\" data-name=\"Aida. Oviedo,  2024\"><article class=\"post visible post-6865 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Aida. Oviedo,  2024\" data-date=\"2025-02-28T12:54:34+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-oviedo-2024\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/01\/WhatsApp-Image-2024-12-21-at-21.42.00-2-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/01\/WhatsApp-Image-2024-12-21-at-21.42.00-2-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/01\/WhatsApp-Image-2024-12-21-at-21.42.00-2-1125x1125.jpeg 1125w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Coro Intermezzo Aida Oviedo\" title=\"WhatsApp Image 2024-12-21 at 21.42.00 (2)\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-oviedo-2024\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-oviedo-2024\/\" target=\"\" title=\"Aida. Oviedo,  2024\" rel=\"bookmark\">Aida. Oviedo,  2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:54\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-02-28T12:54:34+01:00\">28\/02\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]The Intermezzo Choir was another of the pillars of success in this production. All its members gave a very high performance in the different scenes, both in the&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-oviedo-2024\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6873\" data-date=\"2025-02-28T12:54:25+01:00\" data-name=\"Maria Stuarda. Madrid,  2024\"><article class=\"post visible post-6873 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Maria Stuarda. Madrid,  2024\" data-date=\"2025-02-28T12:54:25+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/maria-stuarda-madrid-2024\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/01\/IMG_0641-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/01\/IMG_0641-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/01\/IMG_0641-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Maria Stuarda Coro Intermezzo\" title=\"IMG_0641\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/maria-stuarda-madrid-2024\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/maria-stuarda-madrid-2024\/\" target=\"\" title=\"Maria Stuarda. Madrid,  2024\" rel=\"bookmark\">Maria Stuarda. Madrid,  2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:54\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-02-28T12:54:25+01:00\">28\/02\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\u2018The Coro Titular del Teatro Real, under the direction of its conductor Jos\u00e9 Luis Basso, can only speak of \u2018excellence\u2019. Their interventions were highly celebrated by the audience&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/maria-stuarda-madrid-2024\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6936\" data-date=\"2025-02-28T12:54:18+01:00\" data-name=\"Madama Butterfly. Tenerife,  2024\"><article class=\"post visible post-6936 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-41\" data-name=\"Madama Butterfly. Tenerife,  2024\" data-date=\"2025-02-28T12:54:18+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/madama-butterfly-tenerife-2024-2\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2024-11-20-at-10.53.29-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2024-11-20-at-10.53.29-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2024-11-20-at-10.53.29-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2024-11-20 at 10.53.29\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/madama-butterfly-tenerife-2024-2\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/madama-butterfly-tenerife-2024-2\/\" target=\"\" title=\"Madama Butterfly. Tenerife,  2024\" rel=\"bookmark\">Madama Butterfly. Tenerife,  2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:54\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-02-28T12:54:18+01:00\">28\/02\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Intermezzo Chorus Tenerife, directed by Miguel \u00c1ngel Arqued, continues without losing its vital role in each production. With its synchronicity and vocal precision it demonstrated that its watchword&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/madama-butterfly-tenerife-2024-2\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7003\" data-date=\"2025-02-28T12:54:10+01:00\" data-name=\"Eugeni Oneguin. Madrid,  2025\"><article class=\"post visible post-7003 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Eugeni Oneguin. Madrid,  2025\" data-date=\"2025-02-28T12:54:10+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/eugeni-oneguin-madrid-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2025-01-14-at-18.20.26-e1740394961513-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2025-01-14-at-18.20.26-e1740394961513-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2025-01-14-at-18.20.26-e1740394961513-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2025-01-14 at 18.20.26\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/eugeni-oneguin-madrid-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/eugeni-oneguin-madrid-2025\/\" target=\"\" title=\"Eugeni Oneguin. Madrid,  2025\" rel=\"bookmark\">Eugeni Oneguin. Madrid,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:54\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-02-28T12:54:10+01:00\">28\/02\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\u2018In an opera where the chorus has beautiful and lively interventions, the Coro Titular del Teatro Real has once again done an excellent job. Jos\u00e9 Luis Basso&#8217;s ensemble&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/eugeni-oneguin-madrid-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"7011\" data-date=\"2025-02-28T12:54:03+01:00\" data-name=\"La vida breve \/ Tejas verdes. Madrid,  2025\"><article class=\"post visible post-7011 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"La vida breve \/ Tejas verdes. Madrid,  2025\" data-date=\"2025-02-28T12:54:03+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/vida-breve-tejas-verdes-madrid-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2025-02-07-at-15.24.52-scaled-e1740742792372-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2025-02-07-at-15.24.52-scaled-e1740742792372-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2025-02-07-at-15.24.52-scaled-e1740742792372-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2025-02-07 at 15.24.52\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/vida-breve-tejas-verdes-madrid-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/vida-breve-tejas-verdes-madrid-2025\/\" target=\"\" title=\"La vida breve \/ Tejas verdes. Madrid,  2025\" rel=\"bookmark\">La vida breve \/ Tejas verdes. Madrid,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:54\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-02-28T12:54:03+01:00\">28\/02\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Como los coros polif\u00f3nicos, que, como ya se ha dicho, permiten al Coro del Teatro Real seguir dando alegr\u00edas musicales a los aficionados. Como hacen siempre que haya&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/vida-breve-tejas-verdes-madrid-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6928\" data-date=\"2025-02-05T12:40:56+01:00\" data-name=\"Le nozze di Figaro. Oviedo,  2025\"><article class=\"post visible post-6928 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Le nozze di Figaro. Oviedo,  2025\" data-date=\"2025-02-05T12:40:56+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/le-nozze-di-figaro-oviedo-2025\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2025-02-03-at-09.56.43-1-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2025-02-03-at-09.56.43-1-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2025-02-03-at-09.56.43-1-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Le nozze di Figaro Coro Intermezzo Oviedo\" title=\"WhatsApp Image 2025-02-03 at 09.56.43 (1)\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/le-nozze-di-figaro-oviedo-2025\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/le-nozze-di-figaro-oviedo-2025\/\" target=\"\" title=\"Le nozze di Figaro. Oviedo,  2025\" rel=\"bookmark\">Le nozze di Figaro. Oviedo,  2025<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:40\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2025-02-05T12:40:56+01:00\">05\/02\/2025<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Intermezzo Chorus, just as tempo-pressed but well-honed and well-paced, speaks with its hands as if Asturias were a natural extension of Triana, with ever-present interventions (\u2018Giovani liete, fiori&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/le-nozze-di-figaro-oviedo-2025\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6829\" data-date=\"2024-11-27T16:57:38+01:00\" data-name=\"Theodora. Madrid,  2024\"><article class=\"post visible post-6829 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Theodora. Madrid,  2024\" data-date=\"2024-11-27T16:57:38+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/theodora-madrid-2024\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/11\/IMG_9717-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/11\/IMG_9717-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/11\/IMG_9717-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Coro Intermezzo. Theodora\" title=\"IMG_9717\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/theodora-madrid-2024\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/theodora-madrid-2024\/\" target=\"\" title=\"Theodora. Madrid,  2024\" rel=\"bookmark\">Theodora. Madrid,  2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"16:57\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-11-27T16:57:38+01:00\">27\/11\/2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\u2018Once again we must applaud the Coro Titular del Teatro Real which, under the direction of Jos\u00e9 Luis Basso, once again triumphed in a work in which it&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/theodora-madrid-2024\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6821\" data-date=\"2024-11-27T15:57:20+01:00\" data-name=\"Madama Butterfly. Tenerife,  2024\"><article class=\"post visible post-6821 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-tenerife-en dt_portfolio_category-41 dt_portfolio_category-51\" data-name=\"Madama Butterfly. Tenerife,  2024\" data-date=\"2024-11-27T15:57:20+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/madama-butterfly-tenerife-2024\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/11\/WhatsApp-Image-2024-11-20-at-01.29.23-2-scaled-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/11\/WhatsApp-Image-2024-11-20-at-01.29.23-2-scaled-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/11\/WhatsApp-Image-2024-11-20-at-01.29.23-2-scaled-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Coro Intermezzo Madama Butterfly Tenerife\" title=\"WhatsApp Image 2024-11-20 at 01.29.23 (2)\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/madama-butterfly-tenerife-2024\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/madama-butterfly-tenerife-2024\/\" target=\"\" title=\"Madama Butterfly. Tenerife,  2024\" rel=\"bookmark\">Madama Butterfly. Tenerife,  2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-tenerife-en\/\" >\u00d3pera de Tenerife<\/a><\/span><a href=\"javascript:void(0);\" title=\"15:57\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-11-27T15:57:20+01:00\">27\/11\/2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Intermezzo Chorus Tenerife, directed by Miguel \u00c1ngel Arqued, continues without losing its vital role in each production. With its synchronicity and vocal precision it demonstrated that its watchword&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/madama-butterfly-tenerife-2024\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6782\" data-date=\"2024-10-15T12:48:59+02:00\" data-name=\"Il barbiere di Siviglia. Oviedo,  2024\"><article class=\"post visible post-6782 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Il barbiere di Siviglia. Oviedo,  2024\" data-date=\"2024-10-15T12:48:59+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/il-barbiere-di-siviglia-oviedo-2024\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20720%20720&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/10\/PHOTO-2024-10-07-19-33-56-720x720.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/10\/PHOTO-2024-10-07-19-33-56-720x720.jpg 720w\" loading=\"eager\" style=\"--ratio: 720 \/ 720\" sizes=\"(max-width: 720px) 100vw, 720px\" alt=\"\" title=\"PHOTO-2024-10-07-19-33-56\" width=\"720\" height=\"720\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/il-barbiere-di-siviglia-oviedo-2024\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/il-barbiere-di-siviglia-oviedo-2024\/\" target=\"\" title=\"Il barbiere di Siviglia. Oviedo,  2024\" rel=\"bookmark\">Il barbiere di Siviglia. Oviedo,  2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:48\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-10-15T12:48:59+02:00\">15\/10\/2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\u2018The Oviedo Opera&#8217;s main chorus (coro Intermezzo) fulfilled the demands of the script with well-pitched voices and adequate projection\u2019.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/il-barbiere-di-siviglia-oviedo-2024\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6774\" data-date=\"2024-10-15T11:09:51+02:00\" data-name=\"Adriana Lecouvreur. Madrid,  2024\"><article class=\"post visible post-6774 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Adriana Lecouvreur. Madrid,  2024\" data-date=\"2024-10-15T11:09:51+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adriana-lecouvreur-madrid-2024\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/10\/IMG_8929-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/10\/IMG_8929-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/10\/IMG_8929-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"IMG_8929\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adriana-lecouvreur-madrid-2024\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adriana-lecouvreur-madrid-2024\/\" target=\"\" title=\"Adriana Lecouvreur. Madrid,  2024\" rel=\"bookmark\">Adriana Lecouvreur. Madrid,  2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"11:09\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-10-15T11:09:51+02:00\">15\/10\/2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]\u2018The chorus of the Teatro Real was indispensable to the success of the impressive third act. The women and men who make up this ensemble always convey a&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adriana-lecouvreur-madrid-2024\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6719\" data-date=\"2024-07-03T12:44:51+02:00\" data-name=\"Concert. Tenerife,  2024\"><article class=\"post visible post-6719 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-tenerife-en dt_portfolio_category-41 dt_portfolio_category-51\" data-name=\"Concert. Tenerife,  2024\" data-date=\"2024-07-03T12:44:51+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/gala-lirica-tenerife-2024\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/07\/WhatsApp-Image-2024-06-19-at-12.03.35-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/07\/WhatsApp-Image-2024-06-19-at-12.03.35-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/07\/WhatsApp-Image-2024-06-19-at-12.03.35-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2024-06-19 at 12.03.35\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/gala-lirica-tenerife-2024\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/gala-lirica-tenerife-2024\/\" target=\"\" title=\"Concert. Tenerife,  2024\" rel=\"bookmark\">Concert. Tenerife,  2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-tenerife-en\/\" >\u00d3pera de Tenerife<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:44\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-07-03T12:44:51+02:00\">03\/07\/2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The Coro Titular \u00d3pera de Tenerife-Intermezzo, gave four performances full of precision and hair-raising power, especially in the piece Va, pensiero, sull&#8217;ali dorate, from Nabucco.&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/gala-lirica-tenerife-2024\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6687\" data-date=\"2024-05-28T10:06:54+02:00\" data-name=\"Rusalka. Tenerife, 2024\"><article class=\"post visible post-6687 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-tenerife-en dt_portfolio_category-41 dt_portfolio_category-51\" data-name=\"Rusalka. Tenerife, 2024\" data-date=\"2024-05-28T10:06:54+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rusalka-tenerife-24\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/05\/WhatsApp-Image-2024-03-09-at-12.44.32-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/05\/WhatsApp-Image-2024-03-09-at-12.44.32-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/05\/WhatsApp-Image-2024-03-09-at-12.44.32-1063x1063.jpeg 1063w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"WhatsApp Image 2024-03-09 at 12.44.32\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rusalka-tenerife-24\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rusalka-tenerife-24\/\" target=\"\" title=\"Rusalka. Tenerife, 2024\" rel=\"bookmark\">Rusalka. Tenerife, 2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-tenerife-en\/\" >\u00d3pera de Tenerife<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:06\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-05-28T10:06:54+02:00\">28\/05\/2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]The titular choir Opera de Tenerife-Intermezzo conducted by Pablo Moras was perfect in its interventions\u2019.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rusalka-tenerife-24\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6182\" data-date=\"2024-02-09T09:55:19+01:00\" data-name=\"Lear. Teatro Real,  2024\"><article class=\"post visible post-6182 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Lear. Teatro Real,  2024\" data-date=\"2024-02-09T09:55:19+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lear-teatro-real-2024\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/02\/image00018-scaled-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/02\/image00018-scaled-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/02\/image00018-scaled-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Coro Intermezzo Lear Teatro Real 2024\" title=\"image00018\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lear-teatro-real-2024\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lear-teatro-real-2024\/\" target=\"\" title=\"Lear. Teatro Real,  2024\" rel=\"bookmark\">Lear. Teatro Real,  2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"09:55\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-02-09T09:55:19+01:00\">09\/02\/2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The Teatro Real Men&#8217;s Chorus fulfilled its role perfectly&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lear-teatro-real-2024\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6168\" data-date=\"2024-02-06T10:10:47+01:00\" data-name=\"Lohengrin. \u00d3pera de Oviedo,  2024\"><article class=\"post visible post-6168 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Lohengrin. \u00d3pera de Oviedo,  2024\" data-date=\"2024-02-06T10:10:47+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lohengrin-oviedo-24\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/02\/WhatsApp-Image-2024-01-23-at-08.42.59-2-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/02\/WhatsApp-Image-2024-01-23-at-08.42.59-2-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/02\/WhatsApp-Image-2024-01-23-at-08.42.59-2-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Coro Intermezzo Lohengrin Oviedo\" title=\"WhatsApp Image 2024-01-23 at 08.42.59 (2)\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lohengrin-oviedo-24\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lohengrin-oviedo-24\/\" target=\"\" title=\"Lohengrin. \u00d3pera de Oviedo,  2024\" rel=\"bookmark\">Lohengrin. \u00d3pera de Oviedo,  2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:10\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-02-06T10:10:47+01:00\">06\/02\/2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Impressive the Intermezzo Choir reinforced for the occasion (&#8230;) Intimate moments in front of the powerful, especially the nobles and the people of Brabant from their first intervention,&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lohengrin-oviedo-24\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6032\" data-date=\"2024-01-05T11:02:40+01:00\" data-name=\"Rigoletto. Teatro Real,  2024\"><article class=\"post visible post-6032 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Rigoletto. Teatro Real,  2024\" data-date=\"2024-01-05T11:02:40+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rigoletto-teatro-real-2024\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/01\/image00006-scaled-e1704447135115-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/01\/image00006-scaled-e1704447135115-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2024\/01\/image00006-scaled-e1704447135115-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Rigoletto Coro Intermezzo\" title=\"image00006\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rigoletto-teatro-real-2024\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rigoletto-teatro-real-2024\/\" target=\"\" title=\"Rigoletto. Teatro Real,  2024\" rel=\"bookmark\">Rigoletto. Teatro Real,  2024<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"11:02\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2024-01-05T11:02:40+01:00\">05\/01\/2024<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The same can be said of the Intermezzo Choir, really well on this occasion, both in their vocal and stage performance.&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/rigoletto-teatro-real-2024\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6025\" data-date=\"2023-12-21T08:58:17+01:00\" data-name=\"La Traviata. Oviedo,  2023\"><article class=\"post visible post-6025 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"La Traviata. Oviedo,  2023\" data-date=\"2023-12-21T08:58:17+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/traviata-oviedo-2023\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/12\/PHOTO-2023-11-25-12-45-23-copia-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/12\/PHOTO-2023-11-25-12-45-23-copia-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/12\/PHOTO-2023-11-25-12-45-23-copia-1120x1120.jpg 1120w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"La Traviata OVIEDO Intermezzo\" title=\"PHOTO-2023-11-25-12-45-23 copia\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/traviata-oviedo-2023\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/traviata-oviedo-2023\/\" target=\"\" title=\"La Traviata. Oviedo,  2023\" rel=\"bookmark\">La Traviata. Oviedo,  2023<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"08:58\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-12-21T08:58:17+01:00\">21\/12\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Oviedo choir-Intermezzo sounded brilliant and strong&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/traviata-oviedo-2023\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"6002\" data-date=\"2023-12-01T11:00:52+01:00\" data-name=\"Manon. Tenerife,  2023\"><article class=\"post visible post-6002 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-tenerife-en dt_portfolio_category-41 dt_portfolio_category-51\" data-name=\"Manon. Tenerife,  2023\" data-date=\"2023-12-01T11:00:52+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/manon-tenerife-2023\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/12\/PHOTO-2023-11-25-22-58-39-2-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/12\/PHOTO-2023-11-25-22-58-39-2-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/12\/PHOTO-2023-11-25-22-58-39-2.jpg 1022w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"PHOTO-2023-11-25-22-58-39 2\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/manon-tenerife-2023\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/manon-tenerife-2023\/\" target=\"\" title=\"Manon. Tenerife,  2023\" rel=\"bookmark\">Manon. Tenerife,  2023<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-tenerife-en\/\" >\u00d3pera de Tenerife<\/a><\/span><a href=\"javascript:void(0);\" title=\"11:00\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-12-01T11:00:52+01:00\">01\/12\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The Tenerife Opera Choir-Intermezzo played an important role in the success of the voices and, as we are accustomed to, gave a powerful performance, managing to convey the&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/manon-tenerife-2023\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"5994\" data-date=\"2023-11-22T16:38:18+01:00\" data-name=\"La edad de plata. Oviedo,  2023\"><article class=\"post visible post-5994 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"La edad de plata. Oviedo,  2023\" data-date=\"2023-11-22T16:38:18+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-edad-de-plata-oviedo\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/11\/1c3a0ddc-05f8-47b4-9ae6-709374ac66aa-2-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/11\/1c3a0ddc-05f8-47b4-9ae6-709374ac66aa-2-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/11\/1c3a0ddc-05f8-47b4-9ae6-709374ac66aa-2-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Coro Intermezzo Oviedo \" title=\"1c3a0ddc-05f8-47b4-9ae6-709374ac66aa 2\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-edad-de-plata-oviedo\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-edad-de-plata-oviedo\/\" target=\"\" title=\"La edad de plata. Oviedo,  2023\" rel=\"bookmark\">La edad de plata. Oviedo,  2023<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"16:38\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-11-22T16:38:18+01:00\">22\/11\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;once again the powerful, tuneful and dedicated chorus conducted by Pablo Moras, at a high level in every performance.&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-edad-de-plata-oviedo\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"5987\" data-date=\"2023-11-17T13:53:06+01:00\" data-name=\"Halka. Teatro Real,  2023\"><article class=\"post visible post-5987 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Halka. Teatro Real,  2023\" data-date=\"2023-11-17T13:53:06+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/halka-teatro-real-2023\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/11\/IMG_0715-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/11\/IMG_0715-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/11\/IMG_0715-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"IMG_0715\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/halka-teatro-real-2023\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/halka-teatro-real-2023\/\" target=\"\" title=\"Halka. Teatro Real,  2023\" rel=\"bookmark\">Halka. Teatro Real,  2023<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:53\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-11-17T13:53:06+01:00\">17\/11\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8220;The Chorus of the Teatro Real was the final and crucial ingredient of the evening&#8217;s success. Not only did they provide exceptional vocal soloists for the comprimario roles,&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/halka-teatro-real-2023\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"5961\" data-date=\"2023-09-28T13:07:12+02:00\" data-name=\"M\u00e9d\u00e9e. Teatro Real,  2023\"><article class=\"post visible post-5961 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"M\u00e9d\u00e9e. Teatro Real,  2023\" data-date=\"2023-09-28T13:07:12+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/medee-teatro-real-2023\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/09\/IMG_7561-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/09\/IMG_7561-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/09\/IMG_7561-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"M\u00e9d\u00e9e \" title=\"IMG_7561\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/medee-teatro-real-2023\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/medee-teatro-real-2023\/\" target=\"\" title=\"M\u00e9d\u00e9e. Teatro Real,  2023\" rel=\"bookmark\">M\u00e9d\u00e9e. Teatro Real,  2023<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:07\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-09-28T13:07:12+02:00\">28\/09\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Once again the Coro Titular del Teatro Real becomes an essential character that captivates and thrills in all its moments on stage&#8221;.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/medee-teatro-real-2023\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"5955\" data-date=\"2023-09-28T12:39:17+02:00\" data-name=\"Manon. Oviedo,  2023\"><article class=\"post visible post-5955 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Manon. Oviedo,  2023\" data-date=\"2023-09-28T12:39:17+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/manon-oviedo-2023\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/09\/ok-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/09\/ok-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/09\/ok-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Manon Oviedo\" title=\"ok\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/manon-oviedo-2023\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/manon-oviedo-2023\/\" target=\"\" title=\"Manon. Oviedo,  2023\" rel=\"bookmark\">Manon. Oviedo,  2023<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:39\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-09-28T12:39:17+02:00\">28\/09\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The titular choir of the Oviedo opera (Coro Intermezzo) under the direction of Pablo Moras is another of the safe bets of the last seasons, and this time&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/manon-oviedo-2023\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"5582\" data-date=\"2023-07-28T13:20:18+02:00\" data-name=\"Turandot. Teatro Real,  2023\"><article class=\"post visible post-5582 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Turandot. Teatro Real,  2023\" data-date=\"2023-07-28T13:20:18+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/turandot-teatro-real-2023-2\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/07\/image00007-scaled-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/07\/image00007-scaled-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/07\/image00007-scaled-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Turandot\" title=\"image00007\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/turandot-teatro-real-2023-2\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/turandot-teatro-real-2023-2\/\" target=\"\" title=\"Turandot. Teatro Real,  2023\" rel=\"bookmark\">Turandot. Teatro Real,  2023<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:20\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-07-28T13:20:18+02:00\">28\/07\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Impressive and effective work by the Intermezzo Choir (&#8230;) Precision in the sections, homogeneity and richness of timbre for a great final work.&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/turandot-teatro-real-2023-2\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"5549\" data-date=\"2023-06-19T13:14:29+02:00\" data-name=\"Tannh\u00e4user. Tenerife,  2023\"><article class=\"post visible post-5549 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Tannh\u00e4user. Tenerife,  2023\" data-date=\"2023-06-19T13:14:29+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/tannhauser-tenerife-2023\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/06\/5de043df-9355-44f5-81b7-516b16545aca-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/06\/5de043df-9355-44f5-81b7-516b16545aca-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/06\/5de043df-9355-44f5-81b7-516b16545aca-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Tannh\u00e4user\" title=\"5de043df-9355-44f5-81b7-516b16545aca\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/tannhauser-tenerife-2023\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/tannhauser-tenerife-2023\/\" target=\"\" title=\"Tannh\u00e4user. Tenerife,  2023\" rel=\"bookmark\">Tannh\u00e4user. Tenerife,  2023<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:14\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-06-19T13:14:29+02:00\">19\/06\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Undoubtedly those who stood out the most were the members of the Coro \u00d3pera de Tenerife-Intermezzo. What they achieve together with the great work of their director Carmen&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/tannhauser-tenerife-2023\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"5474\" data-date=\"2023-06-15T11:37:40+02:00\" data-name=\"Il Turco in Italia. Teatro Real,  2023\"><article class=\"post visible post-5474 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Il Turco in Italia. Teatro Real,  2023\" data-date=\"2023-06-15T11:37:40+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/il-turco-in-italia-teatro-real-2023\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/06\/2023-05-31-at-22.55.38n\u0303-768x768.jpeg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/06\/2023-05-31-at-22.55.38n\u0303-768x768.jpeg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/06\/2023-05-31-at-22.55.38n\u0303-1152x1152.jpeg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Il turco in Italia\" title=\"2023-05-31 at 22.55.38n\u0303\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/il-turco-in-italia-teatro-real-2023\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/il-turco-in-italia-teatro-real-2023\/\" target=\"\" title=\"Il Turco in Italia. Teatro Real,  2023\" rel=\"bookmark\">Il Turco in Italia. Teatro Real,  2023<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"11:37\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-06-15T11:37:40+02:00\">15\/06\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The Intermezzo Choir, which gave some very good moments in its few interventions, was another highlight of the evening&#8221;.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/il-turco-in-italia-teatro-real-2023\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"4865\" data-date=\"2023-05-09T15:17:49+02:00\" data-name=\"Tristan und Isolde. Teatro Real,  2023\"><article class=\"post visible post-4865 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Tristan und Isolde. Teatro Real,  2023\" data-date=\"2023-05-09T15:17:49+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nixon-in-china-teatro-real-2023\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/05\/IMG_8531-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/05\/IMG_8531-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/05\/IMG_8531-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Tristan und Isolde\" title=\"IMG_8531\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nixon-in-china-teatro-real-2023\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nixon-in-china-teatro-real-2023\/\" target=\"\" title=\"Tristan und Isolde. Teatro Real,  2023\" rel=\"bookmark\">Tristan und Isolde. Teatro Real,  2023<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"15:17\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-05-09T15:17:49+02:00\">09\/05\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Bychkov also benefited from the brilliant men&#8217;s section of the Intermezzo Choir.&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nixon-in-china-teatro-real-2023\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"4639\" data-date=\"2023-02-07T09:33:34+01:00\" data-name=\"La sonnambula. Madrid,  2022\"><article class=\"post visible post-4639 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"La sonnambula. Madrid,  2022\" data-date=\"2023-02-07T09:33:34+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/sonnambula-teatro-real\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/01\/ok2-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/01\/ok2-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/01\/ok2-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"La sonnambula, Coro Intermezzo\" title=\"ok2\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/sonnambula-teatro-real\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/sonnambula-teatro-real\/\" target=\"\" title=\"La sonnambula. Madrid,  2022\" rel=\"bookmark\">La sonnambula. Madrid,  2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"09:33\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-02-07T09:33:34+01:00\">07\/02\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;El coro, en su l\u00ednea ascendente, empastan cada vez mejor y saben ser y tener toda la fuerza de un personaje protagonista.&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/sonnambula-teatro-real\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"4630\" data-date=\"2023-01-03T10:13:09+01:00\" data-name=\"Hamlet. Oviedo,  2022\"><article class=\"post visible post-4630 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Hamlet. Oviedo,  2022\" data-date=\"2023-01-03T10:13:09+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/hamlet-oviedo-2022\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/01\/PHOTO-2022-12-09-10-15-04-2-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/01\/PHOTO-2022-12-09-10-15-04-2-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/01\/PHOTO-2022-12-09-10-15-04-2-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Hamlet Intermezzo Programaciones Musicales\" title=\"PHOTO-2022-12-09-10-15-04 2\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/hamlet-oviedo-2022\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/hamlet-oviedo-2022\/\" target=\"\" title=\"Hamlet. Oviedo,  2022\" rel=\"bookmark\">Hamlet. Oviedo,  2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:13\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-01-03T10:13:09+01:00\">03\/01\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Once again, the excellent work of the Intermezzo choir conducted by Pablo Moras in a work with a lot of weight and difficulties: strings tuned in all the&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/hamlet-oviedo-2022\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"4612\" data-date=\"2023-01-03T09:49:28+01:00\" data-name=\"Don Giovanni. Oviedo,  2022\"><article class=\"post visible post-4612 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Don Giovanni. Oviedo,  2022\" data-date=\"2023-01-03T09:49:28+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-giovanni-oviedo-2022\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/11\/7168402c-3b45-49c3-af91-6123689db4f8-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/11\/7168402c-3b45-49c3-af91-6123689db4f8-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/11\/7168402c-3b45-49c3-af91-6123689db4f8-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Don Giovanni, Oviedo Intermezzo\" title=\"7168402c-3b45-49c3-af91-6123689db4f8\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-giovanni-oviedo-2022\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-giovanni-oviedo-2022\/\" target=\"\" title=\"Don Giovanni. Oviedo,  2022\" rel=\"bookmark\">Don Giovanni. Oviedo,  2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"09:49\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-01-03T09:49:28+01:00\">03\/01\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The Intermezzo Chorus is always a safe bet on stage and even off stage, pampered by a musical director who knows well the work of these &#8220;secondary&#8221; as&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-giovanni-oviedo-2022\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"4622\" data-date=\"2023-01-03T09:49:03+01:00\" data-name=\"Un ballo in maschera. Tenerife,  2022\"><article class=\"post visible post-4622 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-tenerife-en dt_portfolio_category-41 dt_portfolio_category-51\" data-name=\"Un ballo in maschera. Tenerife,  2022\" data-date=\"2023-01-03T09:49:03+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/ballo-maschera-tenerife\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/01\/53f87466-3486-40bf-9948-56a190107b87-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2023\/01\/53f87466-3486-40bf-9948-56a190107b87-768x768.jpg 768w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Un ballo in maschera Intermezzo Promusic\" title=\"53f87466-3486-40bf-9948-56a190107b87\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/ballo-maschera-tenerife\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/ballo-maschera-tenerife\/\" target=\"\" title=\"Un ballo in maschera. Tenerife,  2022\" rel=\"bookmark\">Un ballo in maschera. Tenerife,  2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-tenerife-en\/\" >\u00d3pera de Tenerife<\/a><\/span><a href=\"javascript:void(0);\" title=\"09:49\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2023-01-03T09:49:03+01:00\">03\/01\/2023<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The Coro Titular \u00d3pera de Tenerife-Intermezzo had the opportunity to offer us glorious moments with formidable displays of their harmonious voices. Displaying an outstanding technique, they evidenced their&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/ballo-maschera-tenerife\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"4586\" data-date=\"2022-11-17T10:43:57+01:00\" data-name=\"Aida. Teatro Real,  2022\"><article class=\"post visible post-4586 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Aida. Teatro Real,  2022\" data-date=\"2022-11-17T10:43:57+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-teatro-real-22\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/11\/portada-fb-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/11\/portada-fb-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/11\/portada-fb-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Coro Intermezzo Aida\" title=\"portada fb\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-teatro-real-22\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-teatro-real-22\/\" target=\"\" title=\"Aida. Teatro Real,  2022\" rel=\"bookmark\">Aida. Teatro Real,  2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:43\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-11-17T10:43:57+01:00\">17\/11\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;On the other hand, the Principal Chorus of Teatro Real-Intermezzo once again enchanted the hall. Another great success for the stable corps of the house&#8221;.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/aida-teatro-real-22\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"4578\" data-date=\"2022-11-02T13:13:49+01:00\" data-name=\"Fuenteovejuna. Tenerife, 2022\"><article class=\"post visible post-4578 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-tenerife-2 dt_portfolio_category-41 dt_portfolio_category-50\" data-name=\"Fuenteovejuna. Tenerife, 2022\" data-date=\"2022-11-02T13:13:49+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/fuenteovejuna-tenerife-2022\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/11\/0ecffab2-6cf0-4e37-948c-768fbce68cb3-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/11\/0ecffab2-6cf0-4e37-948c-768fbce68cb3-768x768.jpg 768w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Coro Intermezzo, \u00d3pera de Tenerife\" title=\"0ecffab2-6cf0-4e37-948c-768fbce68cb3\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/fuenteovejuna-tenerife-2022\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/fuenteovejuna-tenerife-2022\/\" target=\"\" title=\"Fuenteovejuna. Tenerife, 2022\" rel=\"bookmark\">Fuenteovejuna. Tenerife, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-tenerife-2\/\" >\u00d3pera de Tenerife<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:13\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-11-02T13:13:49+01:00\">02\/11\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Great work was also done by the Coro Titular \u00d3pera Tenerife-Intermezzo who triumphed in all their interventions, including highlights such as the wedding, the death of the commander&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/fuenteovejuna-tenerife-2022\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"4461\" data-date=\"2022-09-19T14:39:46+02:00\" data-name=\"La dama del alba. Oviedo, 2022\"><article class=\"post visible post-4461 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"La dama del alba. Oviedo, 2022\" data-date=\"2022-09-19T14:39:46+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/dama-del-alba-oviedo\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/09\/05cc30b2-90af-4e4d-8dbc-acb66ea7d9af-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/09\/05cc30b2-90af-4e4d-8dbc-acb66ea7d9af-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/09\/05cc30b2-90af-4e4d-8dbc-acb66ea7d9af-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"La dama del alba Coro Intermezzo Oviedo\" title=\"05cc30b2-90af-4e4d-8dbc-acb66ea7d9af\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/dama-del-alba-oviedo\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/dama-del-alba-oviedo\/\" target=\"\" title=\"La dama del alba. Oviedo, 2022\" rel=\"bookmark\">La dama del alba. Oviedo, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"14:39\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-09-19T14:39:46+02:00\">19\/09\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row][vc_column][\/vc_column][\/vc_row][vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The work of the Intermezzo Choir is noteworthy, whose interventions, especially notable throughout the second half, continued to exude the polish to which we are accustomed.&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/dama-del-alba-oviedo\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"4354\" data-date=\"2022-08-02T10:53:11+02:00\" data-name=\"Hadrian. Teatro Real, 2022\"><article class=\"post visible post-4354 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Hadrian. Teatro Real, 2022\" data-date=\"2022-08-02T10:53:11+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/hadrian-teatro-real-2022\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/08\/saludos-hadrian-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/08\/saludos-hadrian-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/08\/saludos-hadrian-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Hadrian Coro Intermezzo\" title=\"saludos hadrian\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/hadrian-teatro-real-2022\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/hadrian-teatro-real-2022\/\" target=\"\" title=\"Hadrian. Teatro Real, 2022\" rel=\"bookmark\">Hadrian. Teatro Real, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:53\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-08-02T10:53:11+02:00\">02\/08\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The orchestra and chorus of the Teatro Real, as expected, were at a high level (&#8230;) It is remarkable how lucky we are in Madrid to have a&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/hadrian-teatro-real-2022\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"4343\" data-date=\"2022-07-27T13:47:18+02:00\" data-name=\"Jeanne d&#039;arc au b\u00fbcher. Teatro Real, 2022\"><article class=\"post visible post-4343 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Jeanne d&#8217;arc au b\u00fbcher. Teatro Real, 2022\" data-date=\"2022-07-27T13:47:18+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nabucco-teatro-real-2022\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/07\/IMG_8282-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/07\/IMG_8282-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/07\/IMG_8282-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Nabucco Coro Intermezz\" title=\"IMG_8282\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nabucco-teatro-real-2022\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nabucco-teatro-real-2022\/\" target=\"\" title=\"Jeanne d&#8217;arc au b\u00fbcher. Teatro Real, 2022\" rel=\"bookmark\">Jeanne d&#8217;arc au b\u00fbcher. Teatro Real, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"13:47\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-07-27T13:47:18+02:00\">27\/07\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Fortunately, in addition to the full orchestra and cast, we have the immense Chorus of the Teatro Real to give us a moment that will go down in&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nabucco-teatro-real-2022\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"4178\" data-date=\"2022-06-20T16:08:33+02:00\" data-name=\"Jeanne d&#039;arc au b\u00fbcher. Teatro Real, 2022\"><article class=\"post visible post-4178 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Jeanne d&#8217;arc au b\u00fbcher. Teatro Real, 2022\" data-date=\"2022-06-20T16:08:33+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/jeanne-arc-bucher-teatro-real-2022\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/06\/ok-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/06\/ok-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/06\/ok-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Jeanne d&#039;arc au b\u00fbcher Coro Intermezzo\" title=\"ok\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/jeanne-arc-bucher-teatro-real-2022\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/jeanne-arc-bucher-teatro-real-2022\/\" target=\"\" title=\"Jeanne d&#8217;arc au b\u00fbcher. Teatro Real, 2022\" rel=\"bookmark\">Jeanne d&#8217;arc au b\u00fbcher. Teatro Real, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"16:08\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-06-20T16:08:33+02:00\">20\/06\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]In the end, what remains is the good work of the Coro Intermezzo, the chorus of the Teatro Real. The former is praised by every musical and stage&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/jeanne-arc-bucher-teatro-real-2022\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3660\" data-date=\"2022-05-16T09:40:03+02:00\" data-name=\"Le nozze di Figaro. Teatro Real, 2022\"><article class=\"post visible post-3660 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Le nozze di Figaro. Teatro Real, 2022\" data-date=\"2022-05-16T09:40:03+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nozze-figaro-teatro-real-2022\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/05\/ok.1JPG-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/05\/ok.1JPG-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/05\/ok.1JPG-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Le nozze di Figaro Coro Intermezzo\" title=\"ok.1JPG\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nozze-figaro-teatro-real-2022\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nozze-figaro-teatro-real-2022\/\" target=\"\" title=\"Le nozze di Figaro. Teatro Real, 2022\" rel=\"bookmark\">Le nozze di Figaro. Teatro Real, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"09:40\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-05-16T09:40:03+02:00\">16\/05\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;El Coro Titular del Teatro Real, por su parte, estuvo bien empastado y se celebra poder escucharlos ya sin mascarillas. Fue notable su participaci\u00f3n en la danza del&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/nozze-figaro-teatro-real-2022\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3641\" data-date=\"2022-05-10T16:18:00+02:00\" data-name=\"Siberia. Teatro Real, 2022\"><article class=\"post visible post-3641 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-de-la-abadia-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-47 dt_portfolio_category-42\" data-name=\"Siberia. Teatro Real, 2022\" data-date=\"2022-05-10T16:18:00+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/siberia-teatro-real\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/05\/siberiaweb-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/05\/siberiaweb-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/05\/siberiaweb-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Siberia Intermezzo Promusic\" title=\"siberiaweb\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/siberia-teatro-real\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/siberia-teatro-real\/\" target=\"\" title=\"Siberia. Teatro Real, 2022\" rel=\"bookmark\">Siberia. Teatro Real, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-de-la-abadia-en\/\" >Teatro de la Abad\u00eda<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"16:18\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-05-10T16:18:00+02:00\">10\/05\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The star of the evening was the Chorus. Their intervention in the second act was breathtaking. The contrasts of dynamics and tempi as well as the marvellous blending&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/siberia-teatro-real\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3582\" data-date=\"2022-05-05T12:08:55+02:00\" data-name=\"Extinci\u00f3n. Teatro de la Abad\u00eda, 2022\"><article class=\"post visible post-3582 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-de-la-abadia-en dt_portfolio_category-41 dt_portfolio_category-47\" data-name=\"Extinci\u00f3n. Teatro de la Abad\u00eda, 2022\" data-date=\"2022-05-05T12:08:55+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/extincion-teatro-abadia\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/05\/extincionweb-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/05\/extincionweb-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/05\/extincionweb-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Extinci\u00f3n Coro Intermezzo\" title=\"extincionweb\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/extincion-teatro-abadia\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/extincion-teatro-abadia\/\" target=\"\" title=\"Extinci\u00f3n. Teatro de la Abad\u00eda, 2022\" rel=\"bookmark\">Extinci\u00f3n. Teatro de la Abad\u00eda, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-de-la-abadia-en\/\" >Teatro de la Abad\u00eda<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:08\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-05-05T12:08:55+02:00\">05\/05\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The lion&#8217;s share fell to the Coro Titular del Teatro Real in a particularly demanding trance. Being an operatic ensemble, with excellent solo singers, its members are not&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/extincion-teatro-abadia\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3425\" data-date=\"2022-04-06T10:09:16+02:00\" data-name=\"El \u00e1ngel de fuego. Teatro Real, 2022\"><article class=\"post visible post-3425 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"El \u00e1ngel de fuego. Teatro Real, 2022\" data-date=\"2022-04-06T10:09:16+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/angel-fuego-teatro-real-22\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/04\/IMG_9399-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/04\/IMG_9399-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/04\/IMG_9399-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"El \u00e1ngel de fuego, Coro Intermezzo\" title=\"IMG_9399\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/angel-fuego-teatro-real-22\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/angel-fuego-teatro-real-22\/\" target=\"\" title=\"El \u00e1ngel de fuego. Teatro Real, 2022\" rel=\"bookmark\">El \u00e1ngel de fuego. Teatro Real, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:09\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-04-06T10:09:16+02:00\">06\/04\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The fantastic Chorus of the Teatro Real makes a short but very intense appearance in the final part, once again showing its good work.&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/angel-fuego-teatro-real-22\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3418\" data-date=\"2022-04-06T09:40:20+02:00\" data-name=\"Lisette Oropesa. Teatro Real, 2022\"><article class=\"post visible post-3418 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Lisette Oropesa. Teatro Real, 2022\" data-date=\"2022-04-06T09:40:20+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lakme-teatro-real-2022\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/04\/IMG_9877-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/04\/IMG_9877-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/04\/IMG_9877-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Concierto Lisette Oropesa\" title=\"IMG_9877\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lakme-teatro-real-2022\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lakme-teatro-real-2022\/\" target=\"\" title=\"Lisette Oropesa. Teatro Real, 2022\" rel=\"bookmark\">Lisette Oropesa. Teatro Real, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"09:40\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-04-06T09:40:20+02:00\">06\/04\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;Enriching her presence, the choir, as always at its best, accompanied the soloist in the fragments in which her collaboration was essential.&#8221;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lakme-teatro-real-2022\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3301\" data-date=\"2022-03-04T12:15:20+01:00\" data-name=\"Lakm\u00e9. Teatro Real, 2022\"><article class=\"post visible post-3301 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Lakm\u00e9. Teatro Real, 2022\" data-date=\"2022-03-04T12:15:20+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lakme-tr-2022\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/03\/0919d50e-1a4d-49dd-b36c-b34f013a0333-e1646392595938-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/03\/0919d50e-1a4d-49dd-b36c-b34f013a0333-e1646392595938-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/03\/0919d50e-1a4d-49dd-b36c-b34f013a0333-e1646392595938-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Lakm\u00e9 Coro Intermezzo\" title=\"0919d50e-1a4d-49dd-b36c-b34f013a0333\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lakme-tr-2022\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lakme-tr-2022\/\" target=\"\" title=\"Lakm\u00e9. Teatro Real, 2022\" rel=\"bookmark\">Lakm\u00e9. Teatro Real, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:15\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-03-04T12:15:20+01:00\">04\/03\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The choir faces a certain commitment in this work, due to the diversity of modes that it must evoke, but the award-winning Titular Choir of the Teatro Real&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/lakme-tr-2022\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3305\" data-date=\"2022-02-28T12:14:33+01:00\" data-name=\"G\u00f6tterd\u00e4mmerung. Teatro Real, 2022\"><article class=\"post visible post-3305 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"G\u00f6tterd\u00e4mmerung. Teatro Real, 2022\" data-date=\"2022-02-28T12:14:33+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/gotterdammerung-teatro-real-2022\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/02\/IMG_6284-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/02\/IMG_6284-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/02\/IMG_6284-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"G\u00f6tterd\u00e4mmerung Coro Intermezzo\" title=\"IMG_6284\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/gotterdammerung-teatro-real-2022\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/gotterdammerung-teatro-real-2022\/\" target=\"\" title=\"G\u00f6tterd\u00e4mmerung. Teatro Real, 2022\" rel=\"bookmark\">G\u00f6tterd\u00e4mmerung. Teatro Real, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:14\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-02-28T12:14:33+01:00\">28\/02\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The chorus of the Teatro Real demonstrated again its vigorous male section, both in the second act, and in the third: powerful offstage voices in the a cappella&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/gotterdammerung-teatro-real-2022\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3308\" data-date=\"2022-02-28T12:00:37+01:00\" data-name=\"El abrecartas. Teatro Real, 2022\"><article class=\"post visible post-3308 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"El abrecartas. Teatro Real, 2022\" data-date=\"2022-02-28T12:00:37+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/el-abrecartas-tr\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/02\/IMG_7469-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/02\/IMG_7469-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/02\/IMG_7469-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"El Abrecartas Coro Intermezzo\" title=\"IMG_7469\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/el-abrecartas-tr\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/el-abrecartas-tr\/\" target=\"\" title=\"El abrecartas. Teatro Real, 2022\" rel=\"bookmark\">El abrecartas. Teatro Real, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:00\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-02-28T12:00:37+01:00\">28\/02\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The Intermezzo Choir does a good job in this diversity of songs&#8221;.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/el-abrecartas-tr\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3311\" data-date=\"2022-02-14T10:48:56+01:00\" data-name=\"Pikovaia Dama. Gran Teatre del Liceu, 2022\"><article class=\"post visible post-3311 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-gran-teatre-del-liceu-en dt_portfolio_category-41 dt_portfolio_category-43\" data-name=\"Pikovaia Dama. Gran Teatre del Liceu, 2022\" data-date=\"2022-02-14T10:48:56+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/pikovaia-dama-liceu\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20473%20473&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/02\/Coropikovaia-473x473.png\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/02\/Coropikovaia-473x473.png 473w\" loading=\"eager\" style=\"--ratio: 473 \/ 473\" sizes=\"(max-width: 473px) 100vw, 473px\" alt=\"Coro Intermezzo Pikovaia Dama\" title=\"Coropikovaia\" width=\"473\" height=\"473\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/pikovaia-dama-liceu\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/pikovaia-dama-liceu\/\" target=\"\" title=\"Pikovaia Dama. Gran Teatre del Liceu, 2022\" rel=\"bookmark\">Pikovaia Dama. Gran Teatre del Liceu, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/gran-teatre-del-liceu-en\/\" >Gran Teatre Del Liceu<\/a><\/span><a href=\"javascript:void(0);\" title=\"10:48\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-02-14T10:48:56+01:00\">14\/02\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The Liceu Choir went in crescendo until the final male timba&#8221;.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/pikovaia-dama-liceu\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3313\" data-date=\"2022-02-08T08:53:01+01:00\" data-name=\"Adriana Lecouvreur. Oviedo, 2022\"><article class=\"post visible post-3313 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Adriana Lecouvreur. Oviedo, 2022\" data-date=\"2022-02-08T08:53:01+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adriana-lecouvreur-oviedo\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/02\/2b9d640d-4b72-4cf8-9073-c7b6b9b92961-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/02\/2b9d640d-4b72-4cf8-9073-c7b6b9b92961-768x768.jpg 768w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"Coro Intermezzo Adriana Lecouvreur\" title=\"2b9d640d-4b72-4cf8-9073-c7b6b9b92961\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adriana-lecouvreur-oviedo\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adriana-lecouvreur-oviedo\/\" target=\"\" title=\"Adriana Lecouvreur. Oviedo, 2022\" rel=\"bookmark\">Adriana Lecouvreur. Oviedo, 2022<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"08:53\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-02-08T08:53:01+01:00\">08\/02\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;The Intermezzo Choir conducted by Pablo Moras rounded off the whole vocal cast that left us with a very interesting first Adriana, surely improving in the remaining four&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/adriana-lecouvreur-oviedo\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3317\" data-date=\"2022-01-05T11:54:32+01:00\" data-name=\"La boh\u00e8me. Teatro Real, 2021\"><article class=\"post visible post-3317 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"La boh\u00e8me. Teatro Real, 2021\" data-date=\"2022-01-05T11:54:32+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-boheme-tr-2122\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/01\/ok1-scaled-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/01\/ok1-scaled-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2022\/01\/ok1-scaled-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"La Boh\u00e8me Coro Intermezzo\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-boheme-tr-2122\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-boheme-tr-2122\/\" target=\"\" title=\"La boh\u00e8me. Teatro Real, 2021\" rel=\"bookmark\">La boh\u00e8me. Teatro Real, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"11:54\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2022-01-05T11:54:32+01:00\">05\/01\/2022<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] &#8220;The whole second act would not have been so spectacular were it not for the fact that the Real has a chorus that is only growing and&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-boheme-tr-2122\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3319\" data-date=\"2021-11-22T16:36:47+01:00\" data-name=\"La boh\u00e8me. Oviedo, 2021\"><article class=\"post visible post-3319 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"La boh\u00e8me. Oviedo, 2021\" data-date=\"2021-11-22T16:36:47+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/boheme-oviedo\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20555%20555&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/coro-bohemecon-mosca-555x555.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/coro-bohemecon-mosca-555x555.jpg 555w\" loading=\"eager\" style=\"--ratio: 555 \/ 555\" sizes=\"(max-width: 555px) 100vw, 555px\" alt=\"\" title=\"coro bohemecon mosca\" width=\"555\" height=\"555\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/boheme-oviedo\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/boheme-oviedo\/\" target=\"\" title=\"La boh\u00e8me. Oviedo, 2021\" rel=\"bookmark\">La boh\u00e8me. Oviedo, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"16:36\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-11-22T16:36:47+01:00\">22\/11\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] &#8220;Good performance by the Intermezzo Choir, which fulfilled its role during the second act&#8221;. [\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/boheme-oviedo\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3321\" data-date=\"2021-11-16T16:51:04+01:00\" data-name=\"Oedipus Rex. Gran Teatre del Liceu, 2021\"><article class=\"post visible post-3321 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-gran-teatre-del-liceu-en dt_portfolio_category-41 dt_portfolio_category-43\" data-name=\"Oedipus Rex. Gran Teatre del Liceu, 2021\" data-date=\"2021-11-16T16:51:04+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/oedipus-rex-liceu\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/ok-1-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/ok-1-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/ok-1-1152x1152.jpg 1152w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"oedipus rex\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/oedipus-rex-liceu\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/oedipus-rex-liceu\/\" target=\"\" title=\"Oedipus Rex. Gran Teatre del Liceu, 2021\" rel=\"bookmark\">Oedipus Rex. Gran Teatre del Liceu, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/gran-teatre-del-liceu-en\/\" >Gran Teatre Del Liceu<\/a><\/span><a href=\"javascript:void(0);\" title=\"16:51\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-11-16T16:51:04+01:00\">16\/11\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] &#8220;mentre que el cor d\u2019homes ha confirmat aquest canvi positiu ja evidenciat en el War Requiem, de varietat expressiva, control de les mitges veus i emissi\u00f3 m\u00e9s&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/oedipus-rex-liceu\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3323\" data-date=\"2021-11-14T12:19:02+01:00\" data-name=\"Las horas vac\u00edas. Teatro Real, 2021\"><article class=\"post visible post-3323 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Las horas vac\u00edas. Teatro Real, 2021\" data-date=\"2021-11-14T12:19:02+01:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/las-horas-vacias\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20768%20768&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/ok-768x768.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/ok-768x768.jpg 768w, https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/ok-900x900.jpg 900w\" loading=\"eager\" style=\"--ratio: 768 \/ 768\" sizes=\"(max-width: 768px) 100vw, 768px\" alt=\"\" title=\"lashorasvacias\" width=\"768\" height=\"768\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/las-horas-vacias\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/las-horas-vacias\/\" target=\"\" title=\"Las horas vac\u00edas. Teatro Real, 2021\" rel=\"bookmark\">Las horas vac\u00edas. Teatro Real, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:19\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-11-14T12:19:02+01:00\">14\/11\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] &#8220;The chorus of the Teatro Real did a great job, well balanced and well adjusted&#8221;. [\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/las-horas-vacias\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3325\" data-date=\"2021-10-20T17:31:42+02:00\" data-name=\"War Requiem. Gran Teatre del Liceu, 2021\"><article class=\"post visible post-3325 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"War Requiem. Gran Teatre del Liceu, 2021\" data-date=\"2021-10-20T17:31:42+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/war-requiem-liceu\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20666%20666&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/warrquiemWEB-666x666.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/warrquiemWEB-666x666.jpg 666w\" loading=\"eager\" style=\"--ratio: 666 \/ 666\" sizes=\"(max-width: 666px) 100vw, 666px\" alt=\"\" title=\"warrquiemWEB\" width=\"666\" height=\"666\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/war-requiem-liceu\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/war-requiem-liceu\/\" target=\"\" title=\"War Requiem. Gran Teatre del Liceu, 2021\" rel=\"bookmark\">War Requiem. Gran Teatre del Liceu, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"17:31\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-10-20T17:31:42+02:00\">20\/10\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] &#8220;El Cor, molt i ben refor\u00e7at per membres d\u2019Intermezzo, assol\u00ed moments remarcables pel que fa a cohesi\u00f3 i qualitat t\u00edmbrica, especialment en uns pianissimi colpidors.&#8221; [\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/war-requiem-liceu\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3328\" data-date=\"2021-10-14T12:30:47+02:00\" data-name=\"Die Zauberfl\u00f6te. Oviedo, 2021\"><article class=\"post visible post-3328 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Die Zauberfl\u00f6te. Oviedo, 2021\" data-date=\"2021-10-14T12:30:47+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/die-zauberflote-oviedo\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20737%20737&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/DieZauberfloteWEB-737x737.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/DieZauberfloteWEB-737x737.jpg 737w\" loading=\"eager\" style=\"--ratio: 737 \/ 737\" sizes=\"(max-width: 737px) 100vw, 737px\" alt=\"\" title=\"DieZauberfloteWEB\" width=\"737\" height=\"737\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/die-zauberflote-oviedo\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/die-zauberflote-oviedo\/\" target=\"\" title=\"Die Zauberfl\u00f6te. Oviedo, 2021\" rel=\"bookmark\">Die Zauberfl\u00f6te. Oviedo, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:30\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-10-14T12:30:47+02:00\">14\/10\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] &#8220;The Coro de la \u00d3pera de Oviedo (Coro Intermezzo) was frankly good. Undoubtedly, Pablo Moras, the new conductor, is doing a great job. It was very applauded,&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/die-zauberflote-oviedo\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3330\" data-date=\"2021-10-14T12:28:29+02:00\" data-name=\"La cenerentola. Teatro Real, 2021\"><article class=\"post visible post-3330 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"La cenerentola. Teatro Real, 2021\" data-date=\"2021-10-14T12:28:29+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-cenerentola-teatro-real\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20545%20545&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/lacenerentolaWEB-545x545.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/12\/lacenerentolaWEB-545x545.jpg 545w\" loading=\"eager\" style=\"--ratio: 545 \/ 545\" sizes=\"(max-width: 545px) 100vw, 545px\" alt=\"\" title=\"lacenerentolaWEB\" width=\"545\" height=\"545\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-cenerentola-teatro-real\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-cenerentola-teatro-real\/\" target=\"\" title=\"La cenerentola. Teatro Real, 2021\" rel=\"bookmark\">La cenerentola. Teatro Real, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"12:28\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-10-14T12:28:29+02:00\">14\/10\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] &#8220;The male chorus, with a great prominence, reminds us once again that the level reached in recent years makes the Real look on an equal footing with&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/la-cenerentola-teatro-real\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3333\" data-date=\"2021-08-24T08:06:17+02:00\" data-name=\"Don Giovanni. Teatro Real, 2020\"><article class=\"post visible post-3333 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Don Giovanni. Teatro Real, 2020\" data-date=\"2021-08-24T08:06:17+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-giovanni-teatro-real-2020\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20644%20644&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/08\/Don-Giovanni_web-644x644.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/08\/Don-Giovanni_web-644x644.jpg 644w\" loading=\"eager\" style=\"--ratio: 644 \/ 644\" sizes=\"(max-width: 644px) 100vw, 644px\" alt=\"\" title=\"Don Giovanni, TEATRO REAL, 2021, Cr\u00edticas Intermezzo Promusic, Coros a la Carta\" width=\"644\" height=\"644\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-giovanni-teatro-real-2020\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-giovanni-teatro-real-2020\/\" target=\"\" title=\"Don Giovanni. Teatro Real, 2020\" rel=\"bookmark\">Don Giovanni. Teatro Real, 2020<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"08:06\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-08-24T08:06:17+02:00\">24\/08\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] &#8220;Commendable work by the Teatro Real chorus who performed with masks and masquerades (something we will have to get used to at least for this season). The&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-giovanni-teatro-real-2020\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3336\" data-date=\"2021-08-24T08:03:45+02:00\" data-name=\"Les pech\u00eaurs de perles. Oviedo, 2021\"><article class=\"post visible post-3336 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-opera-de-oviedo-en dt_portfolio_category-41 dt_portfolio_category-44\" data-name=\"Les pech\u00eaurs de perles. Oviedo, 2021\" data-date=\"2021-08-24T08:03:45+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/les-pecheurs-de-perles-oviedo-2021\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20480%20480&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/08\/Les-pecheurs-de-perles_web-480x480.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/08\/Les-pecheurs-de-perles_web-480x480.jpg 480w\" loading=\"eager\" style=\"--ratio: 480 \/ 480\" sizes=\"(max-width: 480px) 100vw, 480px\" alt=\"\" title=\"Les pecheurs de perles, Oviedo, 2021, Cr\u00edticas Intermezzo Promusic, Coros a la Carta\" width=\"480\" height=\"480\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/les-pecheurs-de-perles-oviedo-2021\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/les-pecheurs-de-perles-oviedo-2021\/\" target=\"\" title=\"Les pech\u00eaurs de perles. Oviedo, 2021\" rel=\"bookmark\">Les pech\u00eaurs de perles. Oviedo, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/opera-de-oviedo-en\/\" >\u00d3pera de Oviedo<\/a><\/span><a href=\"javascript:void(0);\" title=\"08:03\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-08-24T08:03:45+02:00\">24\/08\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] More than remarkable performances by the Coro de la \u00d3pera de Oviedo in what looks like the end of a cycle and at the same time its&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/les-pecheurs-de-perles-oviedo-2021\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3340\" data-date=\"2021-05-27T07:38:55+02:00\" data-name=\"Norma. Teatro Real, 2021\"><article class=\"post visible post-3340 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Norma. Teatro Real, 2021\" data-date=\"2021-05-27T07:38:55+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/norma-teatro-real-2021\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20696%20696&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/05\/Norma_web-696x696.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/05\/Norma_web-696x696.jpg 696w\" loading=\"eager\" style=\"--ratio: 696 \/ 696\" sizes=\"(max-width: 696px) 100vw, 696px\" alt=\"\" title=\"Norma, TEATRO REAL, 2021, Cr\u00edticas Intermezzo Promusic, Coros a la Carta\" width=\"696\" height=\"696\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/norma-teatro-real-2021\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/norma-teatro-real-2021\/\" target=\"\" title=\"Norma. Teatro Real, 2021\" rel=\"bookmark\">Norma. Teatro Real, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"07:38\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-05-27T07:38:55+02:00\">27\/05\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]&#8221;There are not enough words to explain the astonishment to which we are subjected by the Teatro Real Choir, especially in these times of health emergency in which&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/norma-teatro-real-2021\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3343\" data-date=\"2021-05-27T07:38:10+02:00\" data-name=\"Otello. Gran Teatre Del Liceu, 2021\"><article class=\"post visible post-3343 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-gran-teatre-del-liceu-en dt_portfolio_category-41 dt_portfolio_category-43\" data-name=\"Otello. Gran Teatre Del Liceu, 2021\" data-date=\"2021-05-27T07:38:10+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/otello-gran-teatre-del-liceu-2021\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20510%20510&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/05\/Otello_web-510x510.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/05\/Otello_web-510x510.jpg 510w\" loading=\"eager\" style=\"--ratio: 510 \/ 510\" sizes=\"(max-width: 510px) 100vw, 510px\" alt=\"\" title=\"Otello, Gran Teatre del Liceu, 2021, Cr\u00edticas Intermezzo Promusic, Coros a la Carta\" width=\"510\" height=\"510\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/otello-gran-teatre-del-liceu-2021\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/otello-gran-teatre-del-liceu-2021\/\" target=\"\" title=\"Otello. Gran Teatre Del Liceu, 2021\" rel=\"bookmark\">Otello. Gran Teatre Del Liceu, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/gran-teatre-del-liceu-en\/\" >Gran Teatre Del Liceu<\/a><\/span><a href=\"javascript:void(0);\" title=\"07:38\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-05-27T07:38:10+02:00\">27\/05\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] &#8220;The chorus followed the level of excellence set and gave one of the best performances so far this season, mimicking the darkness and recalling the most purely&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/otello-gran-teatre-del-liceu-2021\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3300\" data-date=\"2021-05-27T07:36:49+02:00\" data-name=\"PETER GRIMES. Teatro Real, 2021\"><article class=\"post visible post-3300 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"PETER GRIMES. Teatro Real, 2021\" data-date=\"2021-05-27T07:36:49+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/peter-grimes-teatro-real-2021\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20576%20576&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/05\/PeterGrimes_web-576x576.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/05\/PeterGrimes_web-576x576.jpg 576w\" loading=\"eager\" style=\"--ratio: 576 \/ 576\" sizes=\"(max-width: 576px) 100vw, 576px\" alt=\"\" title=\"PETER GRIMES. TEATRO REAL, 2021, Cr\u00edticas Intermezzo Promusic, Coros a la Carta\" width=\"576\" height=\"576\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/peter-grimes-teatro-real-2021\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/peter-grimes-teatro-real-2021\/\" target=\"\" title=\"PETER GRIMES. Teatro Real, 2021\" rel=\"bookmark\">PETER GRIMES. Teatro Real, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"07:36\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-05-27T07:36:49+02:00\">27\/05\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] &#8220;If we talk about the fact that nothing has been spared, let alone the presence of the Teatro Real Choir. We are always full of praise for&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/peter-grimes-teatro-real-2021\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><div class=\"visible wf-cell\" data-post-id=\"3293\" data-date=\"2021-05-26T14:10:08+02:00\" data-name=\"Don Fernando, el Emplazado. Teatro Real, 2021\"><article class=\"post visible post-3293 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-criticas-en dt_portfolio_category-teatro-real-en dt_portfolio_category-41 dt_portfolio_category-42\" data-name=\"Don Fernando, el Emplazado. Teatro Real, 2021\" data-date=\"2021-05-26T14:10:08+02:00\">\n\n<div class=\"post-thumbnail-wrap rollover-active \">\n\t<div class=\"post-thumbnail\">\n\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-fernando-el-emplazado-teatro-real-2021\/\" class=\"post-thumbnail-rollover layzr-bg\" target=\"\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"iso-lazy-load preload-me iso-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20664%20664&#39;%2F%3E\" data-src=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/05\/donfernando_web-664x664.jpg\" data-srcset=\"https:\/\/intermezzo-promusic.com\/wp-content\/uploads\/2021\/05\/donfernando_web-664x664.jpg 664w\" loading=\"eager\" style=\"--ratio: 664 \/ 664\" sizes=\"(max-width: 664px) 100vw, 664px\" alt=\"\" title=\"Don Fernando, el Emplazado. TEATRO REAL, 2021, Cr\u00edticas Intermezzo Promusic, Coros a la Carta\" width=\"664\" height=\"664\"  \/><\/a><div class=\"project-links-container\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-fernando-el-emplazado-teatro-real-2021\/\" target=\"\" class=\"project-details\" aria-label=\"Details link\"><span class=\"icon-portfolio-p205\"><\/span><\/a><\/div>\n\t<\/div>\n<\/div>\n\n\n<div class=\"post-entry-content\">\n\n\t<h3 class=\"entry-title\">\n\t\t<a href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-fernando-el-emplazado-teatro-real-2021\/\" target=\"\" title=\"Don Fernando, el Emplazado. Teatro Real, 2021\" rel=\"bookmark\">Don Fernando, el Emplazado. Teatro Real, 2021<\/a>\n\t<\/h3>\n\n\t<div class=\"entry-meta portfolio-categories\"><span class=\"category-link\"><a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/criticas-en\/\" >Cr\u00edticas<\/a>, <a href=\"https:\/\/intermezzo-promusic.com\/en\/project-category\/teatro-real-en\/\" >Teatro Real<\/a><\/span><a href=\"javascript:void(0);\" title=\"14:10\" class=\"data-link\" rel=\"bookmark\"><time class=\"entry-date updated\" datetime=\"2021-05-26T14:10:08+02:00\">26\/05\/2021<\/time><\/a><\/div>\n\t<div class=\"entry-excerpt\"><p>[vc_row gap=&#8221;30&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_column_text] &#8220;The choir has a fundamental importance in this Don Fernando and was able to shine, without fail, in all kinds of nuances, from the heroic to the&hellip;<\/p>\n<\/div>\n\t<a class=\"post-details details-type-link\" href=\"https:\/\/intermezzo-promusic.com\/en\/criticas\/don-fernando-el-emplazado-teatro-real-2021\/\" target=\"\">Seguir leyendo<i class=\"dt-icon-the7-arrow-03\" aria-hidden=\"true\"><\/i><\/a>\n<\/div><\/article><\/div><\/div><!-- iso-container|iso-grid --><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_joinchat":[],"footnotes":""},"class_list":["post-3212","page","type-page","status-publish","hentry","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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