Die Zauberflöte. Oviedo, 2021
“The Coro de la Ópera de Oviedo (Coro Intermezzo) was frankly good. Undoubtedly, Pablo Moras, the new conductor, is doing a great job. It was very applauded, especially in the…
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La cenerentola. Teatro Real, 2021
“The male chorus, with a great prominence, reminds us once again that the level reached in recent years makes the Real look on an equal footing with the best opera…
Don Giovanni. Teatro Real, 2020
“Commendable work by the Teatro Real chorus who performed with masks and masquerades (something we will have to get used to at least for this season). The chorus sounded compact…
Les pechêurs de perles. Oviedo, 2021
More than remarkable performances by the Coro de la Ópera de Oviedo in what looks like the end of a cycle and at the same time its best performance of…
Norma. Teatro Real, 2021
“There are not enough words to explain the astonishment to which we are subjected by the Teatro Real Choir, especially in these times of health emergency in which group singing…
Otello. Gran Teatre Del Liceu, 2021
“The chorus followed the level of excellence set and gave one of the best performances so far this season, mimicking the darkness and recalling the most purely Greek choros.” Bachtrack:…
PETER GRIMES. Teatro Real, 2021
“If we talk about the fact that nothing has been spared, let alone the presence of the Teatro Real Choir. We are always full of praise for the excellence of…
Don Fernando, el Emplazado. Teatro Real, 2021
“The choir has a fundamental importance in this Don Fernando and was able to shine, without fail, in all kinds of nuances, from the heroic to the courtly.” Ópera Actual:…
