Críticas

La sección masculina del Coro Intermezzo, parcialmente travestido por exigencias de la producción, ofreció una actuación muy eficaz tanto en escena como en las intervenciones fuera de ella, subrayando con…

El Coro Intermezzo que prepara Pablo Moras, volvió a mostrar su solidez habitual, preciso y empastado en sus breves intervenciones desde el foso, con volumen y buen gusto Opera WorldMore…

El coro Intermezzo estuvo estupendo, especialmente las mujeres, que abordan una partitura muy exigente particularmente en el registro agudo, ya desde el comienzo de la función. ScherzoMore reviews

The Intermezzo Choir was another of the pillars of success in this production. All its members gave a very high performance in the different scenes, both in the powerful tutti…

Intermezzo Chorus, just as tempo-pressed but well-honed and well-paced, speaks with its hands as if Asturias were a natural extension of Triana, with ever-present interventions (‘Giovani liete, fiori spargete’ from…

‘The Oviedo Opera’s main chorus (coro Intermezzo) fulfilled the demands of the script with well-pitched voices and adequate projection’. Opera ActualMore reviews

“Impressive the Intermezzo Choir reinforced for the occasion (…) Intimate moments in front of the powerful, especially the nobles and the people of Brabant from their first intervention, as well…

“Oviedo choir-Intermezzo sounded brilliant and strong” OperaWireMore reviews

“once again the powerful, tuneful and dedicated chorus conducted by Pablo Moras, at a high level in every performance.” Opera WorldMore reviews

“The titular choir of the Oviedo opera (Coro Intermezzo) under the direction of Pablo Moras is another of the safe bets of the last seasons, and this time we could…