Críticas

The Intermezzo Choir was another of the pillars of success in this production. All its members gave a very high performance in the different scenes, both in the powerful tutti…

Intermezzo Chorus, just as tempo-pressed but well-honed and well-paced, speaks with its hands as if Asturias were a natural extension of Triana, with ever-present interventions (‘Giovani liete, fiori spargete’ from…

‘The Oviedo Opera’s main chorus (coro Intermezzo) fulfilled the demands of the script with well-pitched voices and adequate projection’. Opera ActualMore reviews

“Impressive the Intermezzo Choir reinforced for the occasion (…) Intimate moments in front of the powerful, especially the nobles and the people of Brabant from their first intervention, as well…

“Oviedo choir-Intermezzo sounded brilliant and strong” OperaWireMore reviews

“once again the powerful, tuneful and dedicated chorus conducted by Pablo Moras, at a high level in every performance.” Opera WorldMore reviews

“The titular choir of the Oviedo opera (Coro Intermezzo) under the direction of Pablo Moras is another of the safe bets of the last seasons, and this time we could…

“Once again, the excellent work of the Intermezzo choir conducted by Pablo Moras in a work with a lot of weight and difficulties: strings tuned in all the wide registers,…

“The Intermezzo Chorus is always a safe bet on stage and even off stage, pampered by a musical director who knows well the work of these “secondary” as necessary as…

“The work of the Intermezzo Choir is noteworthy, whose interventions, especially notable throughout the second half, continued to exude the polish to which we are accustomed.” Platea MagazineMore reviews